Music, text and translation. (2013)

• Record Type: Book
• Further Information: Note: Edited by Helen Julia Minors.
• Other Names: Minors, Helen Julia
• Contents: Series Editor's PrefaceNote on Contributors Preface, Michael Chanan (University of Roehampton, UK)Acknowledgements List of Examples List of Figures List of Tables Note on the Text Introduction: Translation in Music Discourse, Helen Julia Minors (Kingston University, UK)PART 1: Translating Text to Music OperaChapter 1: Tales of the unexpected: opera as a new art of glocalization, Lucile Desblache (University of Roehampton, UK)Chapter 2: Surtitling opera: a surtitler's perspective on making and breaking the rules, Judi Palmer (Royal Opera House, London, UK)Chapter 3: Surtitling opera: a translator's perspective, Jacqueline Page (University of Roehampton, UK and Royal Opera House, London, UK)Chapter 4: Assistance or obstruction: translated text in opera performances Kenneth Chalmers, (The University of Adelaide, Australia)SongChapter 5: Art Song in translation, Peter Newmark (University of Surrey, UK), completed by Helen Julia Minors (Kingston University, UK)Chapter 6: Purposeful translating: the case of Britten's vocal music, Peter Low (University of Canterbury, Christ Church, New Zealand)Chapter 7: Some like it dubbed: translating Marilyn Monroe, Charlotte Bosseaux (University of Edinburgh, UK)Part 2: Cultural and Intersemiotic Translation Musical TranslationChapter 8: Homophonic translation: sense and sound, Jeff Hilson (University of Roehampton, UK)Chapter 9: Music Translating Visual Images: Erik Satie's Sports et divertissements, Helen Julia Minors (Kingston University, UK)Chapter 10: Translation in the Works of John Cage, Alan Stones (Freelance Composer and Sound Designer, UK)Chapter 11: Music Mediating Sculptor: Avro Pärt's Lamentate, Debbie Moss (Musicologigist and PhD Candidate, Kingston University, UK)Transference and Adaptation of SenseChapter 12: From Realism to Shnulze and Back: The Songs of Edith Piaf in German, Klaus Kaindl (University of Vienna, Austria), translated by Liselotte Brodbeck (London Metropolitan University, UK) and Jacqueline Page ((University of Roehampton, UK and Royal Opera House, London, UK)Chapter 13: Transcription as Translation: Perspectives from Ethnomusicology, Muriel Swijghuisen Reigersberg (Independent Scholar, Australia)Chapter 14: Difficulty in Translation: Grappling with Ligeti's Musical Metaphors, Mark Shuttleworth (Imperial College London, UK)Chapter 15: Making Music Television Accessible, Mark HarrisonBibliography Index.
• Publisher Details: London : Bloomsbury
• Publication Date: 2013
• Extent: 1 online resource ([xviii], 223 pages), illustrations, music
• Subjects: 418.0378; Music and language; Translating and interpreting; Libretto -- Translating; Songs -- Texts -- Translating; Libretto -- Translating; Music and language; Songs; Translating and interpreting; Electronic books
• Languages: English
• ISBNs: 9781283874137; 9781441173089; 1441173080; 9781441100269; 1441100261; 1472576543; 9781472576545
• Related ISBNs: 128387413X; 1472576543; 9781472576545; 9781441189271
• Notes: Note: Includes bibliographical references (pages 199-215) and index.; Note: Print version record.
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.