Semionauts of tradition : music, culture and identity in contemporary Singapore /: music, culture and identity in contemporary Singapore. ([2018])
- Record Type:
- Book
- Title:
- Semionauts of tradition : music, culture and identity in contemporary Singapore /: music, culture and identity in contemporary Singapore. ([2018])
- Main Title:
- Semionauts of tradition : music, culture and identity in contemporary Singapore
- Further Information:
- Note: Juliette Yu-Ming Lizeray, Chee-Hoo Lum.
- Authors:
- Lizeray, Juliette Yu-Ming
Lum, Chee Hoo - Contents:
- Intro; Acknowledgments; Contents; About the Authors; Chapter 1: Introduction; 1.1 Theoretical Groundings; 1.2 Applications to Our Research Context; 1.3 Limitations to the Local Context; 1.4 A Book of Many Voices; 1.5 Chapter Offerings; References; Chapter 2: Where Got Singapore Sound? Representing National Identity in Music: Conundrums and Alternatives; 2.1 Introduction; 2.2 Part 1: A Top-Down Singapore Sound; 2.2.1 Building National Identity Through Music and Cultural Policy: A Brief History; 2.2.2 Engaging with the Top-Down Singapore Sound 2.3 Part 2: Critiques and Implications of the Top-Down Singapore Sound2.3.1 Ambiguous Categories and Gatekeeping; 2.3.2 Formulaic Rojak; 2.3.3 Gestural Inclusion; 2.3.4 Rigid "Racial" Categories; 2.3.5 Branding + Patronage + Performance: A Perilous Triangle; 2.4 Part 3: Reappraising the Notion of the Singapore Sound from the Ground Up; 2.4.1 A Sapling Metaphor; 2.4.2 Identity Crisis; 2.4.3 Building an Audience; 2.4.4 "Just Be You"; 2.5 Final Thoughts; References; Primary Sources (Interviews); Secondary Sources Chapter 3: Collaborative Creativity: Perspectives from A Contemporary Instrumental Group in Singapore3.1 Introduction; 3.2 A Note on Data Collection and Analysis; 3.3 Theoretical Musings; 3.3.1 Collaborative Creativity; 3.4 Findings; 3.4.1 Time and Space; 3.4.2 Creative Context; 3.4.3 Pushing Creatively; 3.4.4 Leadership and Facilitation; 3.4.5 Jamming; 3.4.6 Dynamics of Instruments; 3.4.7 One-on-One Interaction; 3.4.8 Technology;Intro; Acknowledgments; Contents; About the Authors; Chapter 1: Introduction; 1.1 Theoretical Groundings; 1.2 Applications to Our Research Context; 1.3 Limitations to the Local Context; 1.4 A Book of Many Voices; 1.5 Chapter Offerings; References; Chapter 2: Where Got Singapore Sound? Representing National Identity in Music: Conundrums and Alternatives; 2.1 Introduction; 2.2 Part 1: A Top-Down Singapore Sound; 2.2.1 Building National Identity Through Music and Cultural Policy: A Brief History; 2.2.2 Engaging with the Top-Down Singapore Sound 2.3 Part 2: Critiques and Implications of the Top-Down Singapore Sound2.3.1 Ambiguous Categories and Gatekeeping; 2.3.2 Formulaic Rojak; 2.3.3 Gestural Inclusion; 2.3.4 Rigid "Racial" Categories; 2.3.5 Branding + Patronage + Performance: A Perilous Triangle; 2.4 Part 3: Reappraising the Notion of the Singapore Sound from the Ground Up; 2.4.1 A Sapling Metaphor; 2.4.2 Identity Crisis; 2.4.3 Building an Audience; 2.4.4 "Just Be You"; 2.5 Final Thoughts; References; Primary Sources (Interviews); Secondary Sources Chapter 3: Collaborative Creativity: Perspectives from A Contemporary Instrumental Group in Singapore3.1 Introduction; 3.2 A Note on Data Collection and Analysis; 3.3 Theoretical Musings; 3.3.1 Collaborative Creativity; 3.4 Findings; 3.4.1 Time and Space; 3.4.2 Creative Context; 3.4.3 Pushing Creatively; 3.4.4 Leadership and Facilitation; 3.4.5 Jamming; 3.4.6 Dynamics of Instruments; 3.4.7 One-on-One Interaction; 3.4.8 Technology; 3.4.9 Challenging Technical Skills; 3.4.10 Key Elements in the Collaborative Creative Process; 3.4.10.1 Musical Growth; 3.4.10.2 Deepening the Collaborative Process 3.5 DiscussionReferences; Primary Sources (Interviews/Communications/Rehearsals); Secondary Sources; Chapter 4: NADI Singapura: A Case Study of Group Identity and Tradition; 4.1 Background and Introduction; 4.1.1 Who Is NADI Singapura?; 4.1.2 NADI's Mission; 4.1.3 Collective Identity: Contributing Factors and Processes; 4.2 Part 1: Group Unity; 4.2.1 Community as Family: Articulations of Race and Culture; 4.2.2 Forging Bonds, Nurturing Values; 4.2.3 Gender Dynamics; 4.2.4 Identity Politics; 4.3 Part 2: Reckoning with Tradition and Attempts at Preservation; 4.3.1 A History of Syncretism … (more)
- Publisher Details:
- Singapore : Springer
- Publication Date:
- 2018
- Extent:
- 1 online resource, color illustrations
- Subjects:
- 780.99392
Music -- Singapore
Folk music -- Singapore
Musical groups -- Singapore
MUSIC / Genres & Styles / Classical
MUSIC / Reference
Folk music
Music
Musical groups
Singapore
Electronic books
Electronic books - Languages:
- English
- ISBNs:
- 9789811310119
9811310114 - Related ISBNs:
- 9789811310102
9811310106 - Notes:
- Note: Includes bibliographical references.
Note: Online resource; title from PDF title page (EBSCO, viewed January 29, 2019). - Access Rights:
- Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
- Access Usage:
- Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.
- View Content:
- Available online (eLD content is only available in our Reading Rooms) ↗
- Physical Locations:
- British Library HMNTS - ELD.DS.407471
- Ingest File:
- 02_480.xml