Multisensory processes : the auditory perspective /: the auditory perspective. (2019)

• Record Type: Book
• Further Information: Note: Adrian K. C. Lee, Mark T. Wallace, Allison B. Coffin, Arthur N. Popper, Richard R. Fay, editors.
• Editors: Lee, Adrian Kuo Ching; Wallace, Mark T; Coffin, Allison B; Popper, Arthur N; Fay, Richard R
• Contents: Intro; Acoustical Society of America; Series Preface; Springer Handbook of Auditory Research; Preface 1992; Volume Preface; Contents; Contributors; Chapter 1: Visual Influence on Auditory Perception; 1.1 Introduction; 1.1.1 Basic Concepts and Historical Perspectives; 1.2 Volume Roadmap; 1.3 Outlook; References; Chapter 2: Cue Combination Within a Bayesian Framework; 2.1 Multisensory Integration and the Problem of Cue Combination; 2.2 Cue Combination in a Bayesian Framework; 2.3 The Maximum Likelihood Estimation Model; 2.4 Maximum Likelihood Estimation: A Flexible Cue Combination Model 2.5 Maximum Likelihood Estimation Cue Combination in the Time Domain2.6 Changes in Maximum Likelihood Estimation Cue Weightings Over Development; 2.7 Cross-Modal Calibration During Development; 2.8 Cross-Modal Calibration and Sensory Deficits; 2.9 Summary; References; Chapter 3: Toward a Model of Auditory-Visual Speech Intelligibility; 3.1 Introduction; 3.1.1 The Importance of Signal-Based Models of Speech Intelligibility; 3.1.2 The Overlooked Problem of Auditory-Visual Speech Intelligibility; 3.1.3 Speech-Feature Complementarity and the Relative Importance of Different Spectral Regions 3.1.4 Auditory-Visual Integration Efficiency3.1.5 Auditory-Visual Asynchrony; 3.1.6 Perception of Auditory-Visual Coherence and the Enhancement of the Auditory Speech Envelope; 3.2 Modeling Auditory-Visual Speech Intelligibility; 3.3 Future Challenges; 3.3.1 Complex Auditory Backgrounds; 3.3.2 Individual Differences: Hearing Acuity, Visual Acuity, and Integration Efficiency; 3.4 Summary; References; Chapter 4: An Object-Based Interpretation of Audiovisual Processing; 4.1 Introduction; 4.1.1 Multisensory Cocktail Party: Disambiguating Sound Mixtures Using Visual Cues 4.1.2 Object-Based Attention4.1.3 The Auditory Perspective; 4.2 Visual, Auditory, and Auditory-Visual Objects; 4.2.1 Integration Versus Binding; 4.2.1.1 Unity Assumption; 4.2.1.2 Stimulus Factors Guiding Multisensory Integration; Spatial Colocation; Temporal Coincidence; Context Influencing Multisensory Integration; 4.2.2 Strong Test of Multisensory Binding and Multisensory Objecthood; 4.2.3 Models of Audiovisual Integration and the Role of Attention; 4.3 Reinterpreting Classic Audiovisual Illusions: Binding or Multisensory Integration?; 4.3.1 Ventriloquism; 4.3.2 Sound-Induced Flash Illusion 4.3.3 McGurk Effect4.4 Competing Objects in the Audiovisual Scene; 4.4.1 Prediction from Unisensory Object-Based Attention Theory; 4.4.2 Effect of Spatial Cues; 4.4.3 Effect of Temporal Coherence; 4.5 Summary; References; Chapter 5: Hearing in a "Moving" Visual World: Coordinate Transformations Along the Auditory Pathway; 5.1 Introduction; 5.2 The Why and How of Linking Visual and Auditory Signals in Space; 5.3 Auditory Reference Frames in the Superior Colliculus; 5.4 Reference Frames Throughout the Brain; 5.4.1 Reference Frames in the Parietal and Frontal Cortices
• Publisher Details: Cham, Switzerland : Springer
• Publication Date: 2019
• Extent: 1 online resource
• Subjects: 152.1/5; Auditory perception; Multisensor data fusion; PSYCHOLOGY / Physiological Psychology; Electronic books; Electronic books
• Languages: English
• ISBNs: 9783030104610; 3030104613
• Related ISBNs: 9783030104597; 3030104591
• Notes: Note: Online resource; title from PDF title page (SpringerLink, viewed March 12, 2019).
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.