Time and performer training. (2019)

• Record Type: Book
• Further Information: Note: Edited by Mark Evans, Konstantinos Thomaidis and Libby Worth.
• Editors: Evans, Mark, 1957-; Thomaidis, Konstantinos; Worth, Libby, 1955-
• Contents: List of figures List of tables List of Contributors Acknowledgments Section I: (Re)Introducing time 1. Foreword: embodied time by Anne Bogart. 2. Introduction: expansive temporalities of performer training by Konstantinos Thomaidis, with Mark Evans and Libby Worth. Section II: About time: narratives of time 3. Lecoq: training, time and temporality by Mark Evans. 4. Premodern training: a provocation by David Wiles. 5. Time in noh theatre performance and training: conversations with Udaka Tatsushige by Diego Pellecchia. 6. A materialist feminist perspective on time in actor training: the commodity of illusion by Evi Stamatiou. Section III: On time: temporalizing time through technique 7. The ecology of a sense of good timing by Darren Tunstall. 8. Gathering ghosts: Lecoq’s twenty movements as a technique to mark time by Jenny Swingler 9. Adavu: drilling through time by Mark Hamilton 10. RSVP and the timely experience by Gyllian Raby Section IV: Over time: age, duration, longevity 11. Formative trainings in Carnatic vocal music: a three-way conversation through time by Tim Jones 12. Change, continuity and repetition: married to the Balinese Mask by Tiffany Strawson 13. The feeling of time by Jennifer Jackson 14. The dance of opposition: repetition, legacy and difference in Third Theatre training by Jane Turner and Patrick Campbell Section V: Out of time: beyond presence and the present 15. Bridging monuments: on repetition, time and articulated knowledge at The Bridge of Winds group by Adriana La Selva 16. The always-not-yet / always-already of voice perception: training towards vocal presence by Konstantinos Thomaidis 17. Rehearsing (inter)disciplinarity: training, production practice, and the 10, 000-hour problem by Laura Vorwerg 18. Beyond the ‘time capsule’: recreating Korean narrative temporalities in pansori singing by Chan E. Park Section VI: From time to times: expansive temporalities 19. Simultaneity and asynchronicity in performer training: a case study of Massive Open Online Courses as training tools by Jonathan Pitches 20. Festival time by Kate Craddock 21. Time, friendship and ‘collective intimacy’: the point of view of a co-devisor from within Little Bulb Theatre by Eugénie Pastor 22. Time moves: temporal experiences in current London-based training for traditional clog and rapper sword dances by Libby Worth Index
• Edition: 1st
• Publisher Details: London : Routledge
• Publication Date: 2019
• Extent: 1 online resource, illustrations (black and white)
• Subjects: 792.028; Acting; Actors -- Training of; Space and time in the theater
• Languages: English
• ISBNs: 9781351180344; 9781351180351; 9781351180337; 9781351180368
• Related ISBNs: 9780815396277; 9780815396284
• Notes: Note: Includes bibliographical references and index.; Note: Description based on CIP data; resource not viewed.
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.