New directions in music and human-computer interaction. (2019)

• Record Type: Book
• Further Information: Note: Simon Holland, Tom Mudd, Katie Wilkie-McKenna, Andrew McPherson, Marcelo M. Wanderley, editors.
• Editors: Holland, Simon, 1955-; Mudd, Tom; Wilkie-McKenna, Katie; McPherson, Andrew; Wanderley, Marcelo M
• Contents: Intro; Contents; Contributors; 1 Understanding Music Interaction, and Why It Matters; 1.1 Introduction; 1.2 Early Links Between Music and HCI; 1.3 Origins of This Book; 1.4 Part I: Design; 1.4.1 Tools, Methods and Guidelines for the Design of Interactive Music Systems; 1.4.2 Design for Technologically Mediated Audience Participation; 1.4.3 Reflections on Historical Connections Between HCI and Music Interaction; 1.4.4 Interaction Design for Playful Exploration and Analysis of Rhythm Through Reflection on Existing Genres and Repertoire 1.4.5 Mathematical Theories of Rhythms as Challenges for Interaction Design1.4.6 Matching Opportunities and Challenges from Music Interaction with Insights from HCI and Vice Versa; 1.5 Part II Interaction; 1.5.1 How Musical Tools Affect What Musicians Do: Communication-Oriented Versus Material-Oriented Perspectives; 1.5.2 Music Interaction and HCI: A Long View; 1.5.3 Interaction Design Without Explicit Planning: Difficulty and Error as Creative Tools; 1.5.4 Music Interaction by Non-intentional Cognitive and Affective State 1.5.5 Investigating Unstated Assumptions in Instruments for Novices and the Effects of These Assumptions1.5.6 Learning About Music Interaction from Artists, Musicians, Designers, Ethnographers and HCI Researchers; 1.6 Part III Collaboration; 1.6.1 Innovative Multi-performer Music Performance Architectures Inspired by Games Mechanics; 1.6.2 Enriching Immersive Environments for Music Composition and Performance with New Forms of Game-Inspired Interaction; 1.6.3 New Forms of Music Interaction that Draw on Machine Learning to Help Promote Inclusion, Participation, and Accessibility 1.6.4 Group Rehearsal by Free Improvisers for Research and Evaluation1.6.5 Giving Dancers Precise Engaging Live Agency Over Music; 1.7 Conclusions; References; Design; 2 A Design Workbench for Interactive Music Systems; 2.1 Introduction; 2.1.1 Computer Music and HCI; 2.1.2 The MIDWAY Music Interaction Workbench; 2.2 Models; 2.2.1 Human Information Processing; 2.2.2 Instrumental Interaction; 2.2.3 Co-adaptation; 2.3 Tools; 2.3.1 LibMapper and ICon; 2.3.2 Paper Substrates and PaperComposer; 2.4 Design Guidelines; 2.4.1 Underlying Assumptions; 2.4.2 Guidelines; 2.5 Conclusion and Future Work
• Publisher Details: Cham, Switzerland : Springer
• Publication Date: 2019
• Extent: 1 online resource (ix, 306 pages), illustrations (some color)
• Subjects: 004.01/9; Human-computer interaction; Computer music; Electronic books; Electronic books
• Languages: English
• ISBNs: 9783319920696; 3319920693
• Related ISBNs: 9783319920689
• Notes: Note: Online resource; title from PDF title page (SpringerLink, viewed February 14, 2019).
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.