Performance phenomenology : to the thing itself /: to the thing itself. ([2019])

• Record Type: Book
• Further Information: Note: Editors, Stuart Grant, Jodie McNeilly-Renaudie and Matthew Wagner.
• Editors: Grant, Stuart, 1957-; McNeilly-Renaudie, Jodie; Wagner, Matthew
• Contents: Intro; Acknowledgements; Contents; Notes on Contributors; List of Figures; Chapter 1 Introduction; Part I: Phenomenology and Performance; Part II: Phenomenology of Performance; Part III: Performance as Phenomenology/Phenomenology as Performance; References; Part I Performance and Phenomenology; Chapter 2 The Essential Question: So What's Phenomenological About Performance Phenomenology?; Introduction; The Essentiality of Essentialism to Phenomenology; The Essences of Phenomenology; Some Important Forebears; The Future; References Chapter 3 Phenomenological Methodology and Aesthetic Experience: Essential Clarifications and Their ImplicationsIntroduction; Phenomenological Understandings of Kinaesthesia and Movement; Aesthetic Experience, the Phenomenological Reduction and the Natural Attitude; Aesthetic Creativity and the Qualitative Dynamics of Movement; References; Chapter 4 The Unnamed Origin of the Performative in Heidegger's Interpretation of Aristotelian Phronēsis; Introduction; A Note on the Performative; The Question of the Priority of Phronēsis; The Performative Structure of Phronēsis Conclusions and Further DirectionsReferences; Part II Phenomenology of Performance; Chapter 5 A Phenomenology of Being Seen; Phenomenology as a Method; Being Seen in Performance; First Approximation: Beginning; Second Approximation: Somatic Practices of Performance; Third Approximation: Being Seen in Performance; Fourth Approximation: A Hermeneutics of Being Seen; Fifth Approximation: Being Seen in Butoh; On Being Seen: Performance Maps for Somatic Experiencing; Map for Appearing and Disappearing; Map for Being Present: Conscious Use of Being Seen; Map for Being Seen by Nature Mapping the Eyes with a PartnerValues of Being Seen in Performance; References; Chapter 6 'A Unique Way of Being': The Place of Music in Merleau-Ponty's Phenomenology of Perception; Introduction: 'A Unique Way of Being' and the Anchorage of a Musical World; Four Musical Themes in Phenomenology of Perception; 'Knowledge in the Hands': Of Motor Space, Organs and Typewriters; The Unity of Musical Meaning and Sound; Music and the Tradition; Music, Intersubjectivity, and Contestation; Conclusion: 'Grounded in the Experience of Performance'; References Chapter 7 Foregrounding the Imagination: Re-reflecting on Dancers' Engagement with Video Self-recordingsIntroduction; The Power of the Visual: Recap; Phenomenological Approach: Design, Method, Analysis; Dancer Interviews; Three Themes; Kinaesthetic-Visual Dialogue; Multiple Gazes: The Choreographic Gaze and Technical Gaze; The Choreographic Gaze; The Technical Gaze; Time Between Dancing, Recording and Viewing; In Conclusion; References; Chapter 8 Sensing Film Performance; Introduction; Sensing the Performance One: The Screaming Baby That Gets Under the Skin
• Publisher Details: Cham, Switzerland : Palgrave Macmillan
• Publication Date: 2019
• Extent: 1 online resource
• Subjects: 142.7; Phenomenology; Performance -- Philosophy; PHILOSOPHY / Criticism; PHILOSOPHY / Movements / Critical Theory; PHILOSOPHY / Movements / Existentialism; Electronic books; Electronic books
• Languages: English
• ISBNs: 9783319980591; 3319980599
• Related ISBNs: 9783319980584
• Notes: Note: Includes bibliographical references and index.; Note: Online resource; title from PDF title page (EBSCO, viewed January 29, 2019).
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.