Designing digital musical instruments using Probatio : a physical prototyping toolkit /: a physical prototyping toolkit. ([2019])
- Record Type:
- Book
- Title:
- Designing digital musical instruments using Probatio : a physical prototyping toolkit /: a physical prototyping toolkit. ([2019])
- Main Title:
- Designing digital musical instruments using Probatio : a physical prototyping toolkit
- Further Information:
- Note: Filipe Calegario.
- Authors:
- Calegario, Filipe
- Contents:
- Intro; Preface; Contents; Chapter 1: Introduction; 1.1 Context; 1.2 Objectives; 1.3 Approach; 1.4 Document Outline; Chapter 2: Challenges in Designing DMIs; 2.1 Digital Musical Instruments; 2.1.1 DMI Classification; 2.2 The Challenge of Multiple Combinations; 2.2.1 Gestural Controller; 2.2.2 Sound Output; 2.2.3 Mapping; 2.2.4 Feedback; 2.2.5 Summary; 2.3 The Challenge of Expressivity and Virtuosity; 2.4 The Challenge of Evaluation and Evolution; 2.5 The Challenge of No Previous Knowledge; 2.6 The Challenge of Multiple Stakeholders and Contexts of Use; 2.7 Final Considerations Chapter 3: Design Process3.1 Idea Exploration; 3.2 Prototyping; 3.3 Final Considerations; Chapter 4: State of the Art; 4.1 Frameworks and Approaches for DMI Design; 4.2 Functional Prototype in DMI Design; 4.2.1 Tools for Physical and Functional Prototyping; 4.2.2 The Trade-Off Area; 4.3 Final Considerations; Chapter 5: Early Exploration; 5.1 Methodological Approach; 5.2 Project Batebit; 5.2.1 Interviews; 5.2.2 Workshops; 5.2.3 Pandiv; 5.2.4 Sandbox Wow; 5.3 Summary; Chapter 6: Proposition; 6.1 Scope and Basis; 6.2 Instrumental Inheritance; 6.2.1 Related Concepts; 6.2.2 Possible Evidence 6.2.2.1 Hybrid Instruments6.2.3 Discussion; 6.3 Morphological Chart for DMI Idea Generation; 6.3.1 What Is Morphological Analysis?; 6.3.2 Morphological Chart Based on Instrumental Inheritance; 6.4 Development of the Functional Prototyping Toolkit for DMI; 6.4.1 Guidelines; 6.4.2 Implementation Decisions; 6.4.3 PhysicalIntro; Preface; Contents; Chapter 1: Introduction; 1.1 Context; 1.2 Objectives; 1.3 Approach; 1.4 Document Outline; Chapter 2: Challenges in Designing DMIs; 2.1 Digital Musical Instruments; 2.1.1 DMI Classification; 2.2 The Challenge of Multiple Combinations; 2.2.1 Gestural Controller; 2.2.2 Sound Output; 2.2.3 Mapping; 2.2.4 Feedback; 2.2.5 Summary; 2.3 The Challenge of Expressivity and Virtuosity; 2.4 The Challenge of Evaluation and Evolution; 2.5 The Challenge of No Previous Knowledge; 2.6 The Challenge of Multiple Stakeholders and Contexts of Use; 2.7 Final Considerations Chapter 3: Design Process3.1 Idea Exploration; 3.2 Prototyping; 3.3 Final Considerations; Chapter 4: State of the Art; 4.1 Frameworks and Approaches for DMI Design; 4.2 Functional Prototype in DMI Design; 4.2.1 Tools for Physical and Functional Prototyping; 4.2.2 The Trade-Off Area; 4.3 Final Considerations; Chapter 5: Early Exploration; 5.1 Methodological Approach; 5.2 Project Batebit; 5.2.1 Interviews; 5.2.2 Workshops; 5.2.3 Pandiv; 5.2.4 Sandbox Wow; 5.3 Summary; Chapter 6: Proposition; 6.1 Scope and Basis; 6.2 Instrumental Inheritance; 6.2.1 Related Concepts; 6.2.2 Possible Evidence 6.2.2.1 Hybrid Instruments6.2.3 Discussion; 6.3 Morphological Chart for DMI Idea Generation; 6.3.1 What Is Morphological Analysis?; 6.3.2 Morphological Chart Based on Instrumental Inheritance; 6.4 Development of the Functional Prototyping Toolkit for DMI; 6.4.1 Guidelines; 6.4.2 Implementation Decisions; 6.4.3 Physical Structure; 6.4.4 Connection Slots; 6.4.5 Blocks; 6.5 Final Considerations; Chapter 7: Evaluation of Probatio 0.1; 7.1 Description; 7.2 Evaluation; Chapter 8: Evaluation of Probatio 0.2; 8.1 Evolution from Probatio 0.1; 8.1.1 Number of Blocks and Multiple Sensors 8.1.2 Changing Mapping Strategy8.1.3 Sound Output Module; 8.1.4 Curved Shapes; 8.1.5 Connection Arm Support; 8.1.6 Protection and Connections to the Hub; 8.1.7 Friction of Blocks and Slots; 8.2 Experiment; 8.2.1 Objectives; 8.2.2 Design; 8.2.3 Methods for Data Collection; 8.2.3.1 Video Recording; 8.2.3.2 Questionnaire; 8.2.3.2.1 System Usability Scale; 8.2.3.2.2 Exploratory Questions; 8.2.3.3 Comparative Questions; 8.2.3.4 Semi-structured Interview; 8.2.4 Methods for Quantitative Analysis; 8.2.4.1 Video Analysis; 8.2.4.2 System Usability Scale Score; 8.2.4.3 Paired-Samples t-Test 8.2.4.4 Wilcoxon Signed-Rank Test8.2.5 Methods for Qualitative Analysis; 8.2.5.1 Thematic Analysis; 8.2.5.2 Coding Methods; 8.2.6 Setup; 8.2.6.1 Hardware; 8.2.6.2 Software: Mapping and Sound; 8.2.6.3 Generic Sensor Toolkit; 8.2.6.4 Correspondence Between Systems; 8.2.7 Technical Test Pilot; 8.2.8 Participants; 8.2.9 Experiment Protocol; 8.3 Results; 8.3.1 Quantitative Analysis; 8.3.1.1 Video Analysis; 8.3.1.1.1 Code Scheme; 8.3.1.1.2 Duration of the Interaction Phases; 8.3.1.1.3 Quantity of Transitions Between Phases; 8.3.1.1.4 Quantity of Distinct Items Used … (more)
- Publisher Details:
- Cham, Switzerland : Springer Nature
- Publication Date:
- 2019
- Extent:
- 1 online resource
- Subjects:
- 786.7/6
Electronic musical instruments
Electronic musical instruments -- Design
Artificial intelligence
Human-computer interaction
MUSIC / Musical Instruments / Piano & Keyboard
MUSIC / Printed Music / Percussion
Electronic books - Languages:
- English
- ISBNs:
- 9783030028923
3030028925 - Related ISBNs:
- 9783030028916
3030028917 - Notes:
- Note: Includes bibliographical references.
Note: Online resource; title from PDF title page (EBSCO, viewed December 28, 2018). - Access Rights:
- Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
- Access Usage:
- Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.
- View Content:
- Available online (eLD content is only available in our Reading Rooms) ↗
- Physical Locations:
- British Library HMNTS - ELD.DS.381941
- Ingest File:
- 02_366.xml