Interculturalism and Performance Now : New Directions? /: New Directions?. ([2019])

• Record Type: Book
• Further Information: Note: Harlotte McIvor, Jason King, editors.
• Editors: McIvor, Charlotte; King, Jason
• Contents: Intro; Acknowledgements; Praise for Interculturalism and Performance Now; Contents; Notes on Contributors; List of Figures; Chapter 1: Introduction: New Directions?; What's in a Name?; The Need for New Models of Interculturalism; New Interculturalism's Performative Becoming; New Interculturalism, Social Policy, and Racial/Ethnic Difference; Chapter Breakdown; Can Interculturalism Ever Really Be New?; Works Cited; Part I: New Interculturalism as Methodology; Chapter 2: From Scenarios to Networks: Performing the Intercultural in Colonial Mexico Cast of Characters: Mexico City, Martín Cortés, Alonso de Avila, and the EncomenderosReplacing the Viceroy's Body; Remapping Mexico City; Networking the Scenario; Objects and People: Masks, Flowers, Feathers, and Mugs; Toward a Prepositional Analysis of Intercultural Scenarios; Work Cited; Chapter 3: Routes and Routers of Interculturalism: Islands, Theatres and Shakespeares; Introduction: Globe to Globe, Island to Island; Past Routes and Routers of Intercultural Shakespeare in Colonial Asia; Shakespeare's Cargo: Tracing Movement; Routers 2.0; Conclusion: A Global Interculturalism? Works CitedChapter 4: Rethinking Interculturalism Using Digital Tools; What Products Do Australian Festivals Import?; Interculturalism Twenty Years On; Gender; Cultural Diplomacy and Exports; Conclusion; Works Cited; Part II: Redirecting Intercultural Traffic; Chapter 5: Colonial Restitution and Indigenous Vessels of Intercultural Performance: The Stalled Repatriation of the Akwiten Grandfather Canoe; Intercultural Memory and Rituals of Restitution; "Indisputably Maliseet" Canoes; "Their Wretched Condition"; Archival Traces; Embodiments of Indigenous Knowledge; Vessel of Ancestry Stalled Repatriation and Intercultural Performance in the MakingWorks Cited; Chapter 6: Interculturalism, Humanitarianism, Intervention: Théâtre du Soleil in Kabul; Introduction; Contexts: Interculturalism, Humanitarianism, Théâtre du Soleil; Actor Training and Moral Outrage; Human Risks and Theatrical Risks; Conclusion; Works Cited; Chapter 7: "Zones of Occult Instability": A South African Perspective on Negotiating Colonial Afterlives Through Intercultural Performance; Handspring Puppet Company: Engaging Theatrical Modernism to Readdress Circuits of Empire Brett Bailey: Exhibit B Explicitly Taking on Colonial Histories of Subjugation and DisplayConclusion; Works Cited; Chapter 8: New Modernist Mediations and the Intercultural Theatre of Modern Times Stage Company; Soheil Parsa, Modern Times, and Western Modernists; Iranian Playwrights and Practices; Sufism; Conclusion; Works Cited; Part III: Intersectional Interculturalisms; Chapter 9: Censorship and Sensitivities: Performing Tolerance in Postsecular Britain; Migrancy and Performance: Théâtre du Soleil; Je suis Charlie; Behzti; Exhibit B; Mecca/Cairo; Works Cited
• Publisher Details: Cham, Switzerland : Palgrave Macmillan
• Publication Date: 2019
• Extent: 1 online resource
• Subjects: 306.484; Performance -- Social aspects; Performance -- Social aspects -- Case studies; Multiculturalism -- Social aspects; Multiculturalism -- Social aspects -- Case studies; Electronic books
• Languages: English
• ISBNs: 9783030027049
• Related ISBNs: 303002704X
• Notes: Note: Description based on online resource; title from digital title page (viewed on February 13, 2019).
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.