Interculturalism and Performance Now : New Directions? /: New Directions?. ([2019])
- Record Type:
- Book
- Title:
- Interculturalism and Performance Now : New Directions? /: New Directions?. ([2019])
- Main Title:
- Interculturalism and Performance Now : New Directions?
- Further Information:
- Note: Harlotte McIvor, Jason King, editors.
- Editors:
- McIvor, Charlotte
King, Jason - Contents:
- Intro; Acknowledgements; Praise for Interculturalism and Performance Now; Contents; Notes on Contributors; List of Figures; Chapter 1: Introduction: New Directions?; What's in a Name?; The Need for New Models of Interculturalism; New Interculturalism's Performative Becoming; New Interculturalism, Social Policy, and Racial/Ethnic Difference; Chapter Breakdown; Can Interculturalism Ever Really Be New?; Works Cited; Part I: New Interculturalism as Methodology; Chapter 2: From Scenarios to Networks: Performing the Intercultural in Colonial Mexico Cast of Characters: Mexico City, Martín Cortés, Alonso de Avila, and the EncomenderosReplacing the Viceroy's Body; Remapping Mexico City; Networking the Scenario; Objects and People: Masks, Flowers, Feathers, and Mugs; Toward a Prepositional Analysis of Intercultural Scenarios; Work Cited; Chapter 3: Routes and Routers of Interculturalism: Islands, Theatres and Shakespeares; Introduction: Globe to Globe, Island to Island; Past Routes and Routers of Intercultural Shakespeare in Colonial Asia; Shakespeare's Cargo: Tracing Movement; Routers 2.0; Conclusion: A Global Interculturalism? Works CitedChapter 4: Rethinking Interculturalism Using Digital Tools; What Products Do Australian Festivals Import?; Interculturalism Twenty Years On; Gender; Cultural Diplomacy and Exports; Conclusion; Works Cited; Part II: Redirecting Intercultural Traffic; Chapter 5: Colonial Restitution and Indigenous Vessels of Intercultural Performance: The StalledIntro; Acknowledgements; Praise for Interculturalism and Performance Now; Contents; Notes on Contributors; List of Figures; Chapter 1: Introduction: New Directions?; What's in a Name?; The Need for New Models of Interculturalism; New Interculturalism's Performative Becoming; New Interculturalism, Social Policy, and Racial/Ethnic Difference; Chapter Breakdown; Can Interculturalism Ever Really Be New?; Works Cited; Part I: New Interculturalism as Methodology; Chapter 2: From Scenarios to Networks: Performing the Intercultural in Colonial Mexico Cast of Characters: Mexico City, Martín Cortés, Alonso de Avila, and the EncomenderosReplacing the Viceroy's Body; Remapping Mexico City; Networking the Scenario; Objects and People: Masks, Flowers, Feathers, and Mugs; Toward a Prepositional Analysis of Intercultural Scenarios; Work Cited; Chapter 3: Routes and Routers of Interculturalism: Islands, Theatres and Shakespeares; Introduction: Globe to Globe, Island to Island; Past Routes and Routers of Intercultural Shakespeare in Colonial Asia; Shakespeare's Cargo: Tracing Movement; Routers 2.0; Conclusion: A Global Interculturalism? Works CitedChapter 4: Rethinking Interculturalism Using Digital Tools; What Products Do Australian Festivals Import?; Interculturalism Twenty Years On; Gender; Cultural Diplomacy and Exports; Conclusion; Works Cited; Part II: Redirecting Intercultural Traffic; Chapter 5: Colonial Restitution and Indigenous Vessels of Intercultural Performance: The Stalled Repatriation of the Akwiten Grandfather Canoe; Intercultural Memory and Rituals of Restitution; "Indisputably Maliseet" Canoes; "Their Wretched Condition"; Archival Traces; Embodiments of Indigenous Knowledge; Vessel of Ancestry Stalled Repatriation and Intercultural Performance in the MakingWorks Cited; Chapter 6: Interculturalism, Humanitarianism, Intervention: Théâtre du Soleil in Kabul; Introduction; Contexts: Interculturalism, Humanitarianism, Théâtre du Soleil; Actor Training and Moral Outrage; Human Risks and Theatrical Risks; Conclusion; Works Cited; Chapter 7: "Zones of Occult Instability": A South African Perspective on Negotiating Colonial Afterlives Through Intercultural Performance; Handspring Puppet Company: Engaging Theatrical Modernism to Readdress Circuits of Empire Brett Bailey: Exhibit B Explicitly Taking on Colonial Histories of Subjugation and DisplayConclusion; Works Cited; Chapter 8: New Modernist Mediations and the Intercultural Theatre of Modern Times Stage Company; Soheil Parsa, Modern Times, and Western Modernists; Iranian Playwrights and Practices; Sufism; Conclusion; Works Cited; Part III: Intersectional Interculturalisms; Chapter 9: Censorship and Sensitivities: Performing Tolerance in Postsecular Britain; Migrancy and Performance: Théâtre du Soleil; Je suis Charlie; Behzti; Exhibit B; Mecca/Cairo; Works Cited … (more)
- Publisher Details:
- Cham, Switzerland : Palgrave Macmillan
- Publication Date:
- 2019
- Extent:
- 1 online resource
- Subjects:
- 306.484
Performance -- Social aspects
Performance -- Social aspects -- Case studies
Multiculturalism -- Social aspects
Multiculturalism -- Social aspects -- Case studies
Electronic books - Languages:
- English
- ISBNs:
- 9783030027049
- Related ISBNs:
- 303002704X
- Notes:
- Note: Description based on online resource; title from digital title page (viewed on February 13, 2019).
- Access Rights:
- Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
- Access Usage:
- Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.
- View Content:
- Available online (eLD content is only available in our Reading Rooms) ↗
- Physical Locations:
- British Library HMNTS - ELD.DS.381933
- Ingest File:
- 02_364.xml