The rock history reader. (2018)

• Record Type: Book
• Further Information: Note: Edited by Theo Cateforis.
• Editors: Cateforis, Theo
• Contents: Section I The 1950s / Chapter 1 Du-Wop (Johnny Keyes) / Chapter 2 "Miss Rhythm" Speaks Out: Ruth Brown on R&B and Covers / Chapter 3 Leiber & Stoller (Ted Fox) / Chapter 4 "Leerics": A Danger to the Music Business? (Abel Green) / Chapter 5 Chuck Berry: In His Own Words / Chapter 6 Elvis Presley and "The Craze" (John Crosby) / Chapter 7 "Elvis Defends Low-Down Style" (Kays Gary) / Chapter 8 "Experts Propose Study of ‘Craze’" (Milton Bracker) / Chapter 9 Earl Palmer and the Heartbeat of Rock ‘n’ Roll (Tony Scherman) / Chapter 10 The Rock ‘n’ Roll Audience: "But Papa, It’s My Music, I Like It" (Jeff Greenfield) / Chapter 11 The History of Chicano Rock (Rubén Guevara) / Chapter 12 "Music Biz Goes Round and Round: It Comes Out Clarkola" (Peter Bunzel) / Section II The 1960s / Chapter 13 "The King of Surf Guitar" (Dave Schulps) / Chapter 14 Phil Spector and The Wall of Sound (Ronnie Spector) / Chapter 15 The Beatles, Press Conference, 1964 / Chapter 16 "U.S. Musicians’ Union Says, ‘Beatles Stay Home’" (Victor Riesel) / Chapter 17 "Beatlemania Frightens Child Expert" (Dr. Bernard Saibel) / Chapter 18 "Understanding Dylan" (Paul Williams) / Chapter 19 "Raga Rock": The Byrds, Press Conference, 1966 / Chapter 20 Motown: A Whiter Shade of Black (Jon Landau) / Chapter 21 James Brown: Soul Brother No. 1 (Fred Wesley, Jr.) / Chapter 22 "Goodbye Surfing Hello God!—The Religious Conversion of Brian Wilson" (Jules Siegel) / Chapter 23 Rock and the Counterculture (Chester Anderson) / Chapter 24 The FM Revolution: "AM Radio – ‘Stinking Up the Airwaves’" (Tom Donahue) / Chapter 25 An Interview with Peter Townshend (Jann Wenner) / Chapter 26 Woodstock and Altamont (Joel Haycock) / Section III The 1970s / Chapter 27 "Sweet Baby James": James Taylor Live (Alfred Aronowitz) / Chapter 28 "Cock Rock: Men Always Seem to End Up on Top" (Rat Magazine) / Chapter 29 Carly Simon on Music and the Women’s Movement (Loraine Alterman) / Chapter 30 "How to Be a Rock Critic" (Lester Bangs) / Chapter 31 "Reggae: The Steady Rock of Black Jamaica" (Andrew Kopkind) / Chapter 32 "Roots and Rock: The Marley Enigma" (Linton Kwesi Johnson) / Chapter 33 Dub and the Sound of Surprise (Richard Williams) / Chapter 34 Reflections on Progressive Rock (Bill Bruford) / Chapter 35 "Disco! Disco!: Four Critics Address the Musical Question" / Chapter 36 "Why Don’t We Call It Punk?" (Legs McNeil and Gillian McCain) / Chapter 37 The Subculture of British Punk (Dick Hebdige) / Chapter 38 "The Confessions of a Gay Rocker" (Adam Block) / Section IV The 1980s / Chapter 39 Punk Goes Hardcore (Jack Rabid) / Chapter 40 College Rock: "Left of the Dial" (Gina Arnold) / Chapter 41 "Roll Over Guitar Heroes; Synthesizers Are Here" (Jon Young) / Chapter 42 "MTV Ruled the World" (Greg Prato) / Chapter 43 "Molly Hatchet: Celebrity Rate a Record" (Hit Parader Magazine) / Chapter 44 The Parents Music Resource Center: Statement Before Congress (Susan Baker and Tipper Gore) / Chapter 45 Heavy Metal and The Highbrow/Lowbrow Divide (Robert Walser) / Chapter 46 "The Real Thing – Bruce Springsteen" (Simon Frith) / Chapter 47 Hip Hop Nation (Greg Tate) / Chapter 48 "Madonna – Finally, A Real Feminist" (Camille Paglia) / Chapter 49 "Can Madonna Justify Madonna?" (Barbara Grizzuti Harrison) / Section V The 1990s / Chapter 50 Is As Nasty As They Wanna Be Obscene? / Chapter 51 "Public Enemy’s Bomb Squad" (Tom Moon) / Chapter 52 "The Death of Sampling?" (Mark Kemp) / Chapter 53 "Kurt Cobain and the Politics of Damage" (Sarah Ferguson) / Chapter 54 "The Problem with Music" (Steve Albini) / Chapter 55 "Feminism Amplified" (Kim France) / Chapter 56 "Rock Aesthetics and Musics of the World" (Motti Regev) / Chapter 57 "Electronic Eden": Techno Goes Mainstream (Karen Schoemer) / Chapter 58 Nü Metal and Woodstock ’99 (Barry Walters) / Chapter 59 Indie Pop Goes Twee (Joey Sweeney) / Chapter 60 "So You Wanna Fake Being an Indie Rock Expert?" (SoYouWanna.com) / Section VI The 2000s / Chapter 61 Metallica vs. Napster (Lars Ulrich) / Chapter 62 Radiohead and the new Rock Aesthetic (Douglas Wolk) / Chapter 63 "My Week on the Avril Lavigne E-Team" (Chris Dahlen) / Chapter 64 "In Defense of Post-Grunge Music" (Sasha Geffen) / Chapter 65 Defining Emo (Urban Dictionary) / Chapter 66 "Even Heavy-Metal Fans Complain That Today's Music Is Too Loud!!!" (Evan Smith) / Chapter 67 The Whiteness of Indie and the "Myth of Vampire Weekend" (Paul Lester) / Chapter 68 "Why Country is the New Classic Rock" (Steve Leftridge) / Section VII The 2010s / Chapter 69 "Why No Yes in the Rock Hall?" (John Covach) / Chapter 70 "A Response to ‘Why No Yes in the Rock Hall’" (Lauren Onkey) / Chapter 71 "Mumford & Sons Preaches to the Masses" (Ann Powers) / Chapter 72 "Making Cents": Spotify and Artist Royalties (Damon Krukowski) / Chapter 73 "Top 25 Metal Genres on Spotify" (Eliot Van Buskirk) / Chapter 74 "Gals/Other Marginalized Folks: What Was Your 1st Brush (in Music Industry, Journalism, Scene) w/ Idea That You Didn't ‘Count’?" (Jessica Hopper) / Chapter 75 Twenty One Pilots: "The Slippery Appeal of the Biggest New Band in America" (Jia Tolentino) / Chapter 76 "Who Will Save the Guitar?" (Michael Molenda) / Chapter 77 "Where Have All the Rock Stars Gone?" (David Shumway)
• Edition: 3rd edition
• Publisher Details: London : Routledge
• Publication Date: 2018
• Extent: 1 online resource
• Subjects: 781.6609; Rock music -- History
• Languages: English
• ISBNs: 9781315394800; 9781315394817; 9781315394794; 9781315394824
• Related ISBNs: 9781138227705; 9781138227712
• Notes: Note: Description based on CIP data; resource not viewed.
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.