The Routledge companion to jazz studies. (2018)

• Record Type: Book
• Other Titles: Companion to jazz studies; Jazz studies
• Further Information: Note: Edited by Nicholas Gebhardt, Nichole Rustin-Paschal, Tony Whyton.
• Editors: Gebhardt, Nicholas; Rustin-Paschal, Nichole; Whyton, Tony
• Contents: Preface: Nicholas Gebhardt, Nichole Rustin-Paschal & Tony Whyton Part I Historical Perspectives 1. Tony Whyton, Wilkie’s story: Dominant Histories, Hidden Musicians, and Cosmopolitan Connections in Jazz 2. Bruce Johnson, Diasporic Jazz 3. Julianne Lindberg, I Like To Recognize The Tune: Interrupting Jazz and Musical Theater Histories 4. Bruce Raeburn, ‘That Ain’t No Creole, It’s a…!’: Masquerade, Marketing, and Shapeshifting Race in Early New Orleans Jazz 5. Ken Prouty, "Jazz Education: Historical and Critical Perspectives" 6. Walter van de Leur, Swan Songs: Jazz, Death and Famous Last Concerts 7. Tim Wall, Jazz on Radio Part II Methodologies 8. David Ake, After Wynton: Narrating Jazz in the Postneotraditional Era 9. Floris Schuiling, Jazz and the Material Turn 10. Catherine Tackley 11. John Howland, On Billboard, Isaac Hayes, and the ‘Swinging Relationship’ Between Jazz and Its Popular Music Cousins, 1950-1973 12. John Gennari, ‘Wacky Post-Fluxus Revolutionary Mixed Media Shenanigans:’ Rethinking Jazz and Jazz Studies through Jason Moran’s Multimedia Performance 13. Heli Reimann, Conceptualising Jazz as a Cultural Practice in Soviet Estonia 14. Alan Stanbridge, And Then I Don’t Feel So Bad: Jazz, Sentimentality, and Popular Song Part III Core Issues and Topics 15. Andrew Berish, Space and Place in Jazz 16. Mark Dorfman, Time in Jazz 17. George McKay, Jazz and disability 18. Patrick Burke, Race in the New Jazz Studies 19. Tom Perchard, The Vocalized Tone 20. Ben Bierman, What is the Place of the Recording Process in Jazz 21. Peter Elsdon, Figuring Improvisation 22. Fritz Schenker, Listening for Empire in Transnational Jazz Studies Part IV Individuals, Collectives and Communities 23. Wolfram Knauer, New Orleans, the "Creole Concept", and Jazz 24. Marian Jago, Sitting in and Subbing Out: The Gig Economy of 1960s New York 25. Paul Steinbeck, George Lewis’s Voyager 26. Michael Pronko, Quiet About It—Jazz in Japan 27. Deborah Mawer, Performing Improvisation: Bill Evans and Jean-Yves Thibaudet 28. Eduardo Vincente, Bossa Nova and beyond: the jazz as symbol of Brazilian-ness (credit to Daniel for translation) 29. Scott Currie Part V Politics, Discourse and Ideology 30. Anna Calenza, The Birth of Jazz Diplomacy: American Jazz in Italy, 1945 – 1963 31. Chris Ballantine, Jazzing for a better future: South Africa and beyond 32. Roger Fagge, Eric Hobsbawn on Jazz 33. David Brackett, Jazz at the Crossroads of Art and Popular Music Discourses in the 1960s 34. Greg Clark, The Rhetoric of Jazz 35. Charles Hersch, Unfinalizable: Bakhtin, Dialogue, and Self-Expression in Jazz 36. Raymond MacDonald & Graeme Wilson, Improvisation: What is it good for? 37. Nicholas Gebhardt, Friends and Neighbors: Jazz and Everyday Aesthetics Part VI New Directions and Debates 38. Nichole Rustin-Paschal, "The Reason I Play the Way I Do Is : Jazzmen, Emotion, and Creating in Jazz" 39. David Borgo, The Art of Improvisation in the Age of Computational Participation 40. Björn Heile, Renaissance or Afterlife? Nostalgia in the New Jazz Films 41. Nicolas Pillai, Comics as criticism: Harvey Pekar, jazz writer 42. Petter Frost Fadnes, Free Spirits – The performativity of free improvisation 43. Simon Barber, My Jazz World: The Rise and Fall of a Digital Utopia 44. Krin Gabbard, Writing the Jazz Life
• Edition: 1st
• Publisher Details: London : Routledge
• Publication Date: 2018
• Extent: 1 online resource
• Subjects: 781.6509; Jazz -- History and criticism
• Languages: English
• ISBNs: 9781315315782; 9781315315799; 9781315315775; 9781315315805
• Related ISBNs: 9781138231160
• Notes: Note: Includes bibliographical references and index.; Note: Description based on CIP data; resource not viewed.
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.