Screening European heritage : creating and consuming history on film /: creating and consuming history on film. (2016)
- Record Type:
- Book
- Title:
- Screening European heritage : creating and consuming history on film /: creating and consuming history on film. (2016)
- Main Title:
- Screening European heritage : creating and consuming history on film
- Further Information:
- Note: Paul Cooke, Rob Stone.
- Editors:
- Cooke, Paul
Stone, Rob - Contents:
- Notes on Contributors; List of Figures; Introduction; Screening European Heritage; Works Cited; Part I: Contexts of Production; Chapter 1: The Politics and Sociology of Screening the Past: A National and Transnational Perspective; Heritage and EU Cultural Policy; National Historical Narratives and the Transnational Context; Audiences and the National and Transnational Dimension of Heritage; Contested Heritage: The Past and Contemporary Politics; The Politics of Heritage and Memory; Notes; Works Cited Chapter 2: British Flanders: Co-produced Television Drama and the Limits of a European HeritageThe Deregulation of British Film and Television; Co-producing Britain in Flanders; The Limits of a European Heritage; Works Cited; Chapter 3: Whose Heritage?: Noi credevamo (We Believed) and the National, Regional and Transnational Dynamics of the Risorgimento Film; Historical Epics, the Risorgimento and Heritage Cinema; We Believed; Problematising the Revolutionary Narrative; Problematising National Unity; Production: Problematising National Cinema; Conclusion; Notes; Works Cited Part II: Limits of RepresentationChapter 4: Towards World Heritage Cinema (Starting from the Negative); Owning History; Made in Italy; Last and Later Emperors; World Heritage Cinema; Conclusion: Unnecessary Pasts; Notes; Works Cited; Chapter 5: Rewriting History from the Margins: Diasporic Memory, Shabby Chic and Archival Footage; Outside the Law: Revisiting the Contested Memory of the Algerian War ofNotes on Contributors; List of Figures; Introduction; Screening European Heritage; Works Cited; Part I: Contexts of Production; Chapter 1: The Politics and Sociology of Screening the Past: A National and Transnational Perspective; Heritage and EU Cultural Policy; National Historical Narratives and the Transnational Context; Audiences and the National and Transnational Dimension of Heritage; Contested Heritage: The Past and Contemporary Politics; The Politics of Heritage and Memory; Notes; Works Cited Chapter 2: British Flanders: Co-produced Television Drama and the Limits of a European HeritageThe Deregulation of British Film and Television; Co-producing Britain in Flanders; The Limits of a European Heritage; Works Cited; Chapter 3: Whose Heritage?: Noi credevamo (We Believed) and the National, Regional and Transnational Dynamics of the Risorgimento Film; Historical Epics, the Risorgimento and Heritage Cinema; We Believed; Problematising the Revolutionary Narrative; Problematising National Unity; Production: Problematising National Cinema; Conclusion; Notes; Works Cited Part II: Limits of RepresentationChapter 4: Towards World Heritage Cinema (Starting from the Negative); Owning History; Made in Italy; Last and Later Emperors; World Heritage Cinema; Conclusion: Unnecessary Pasts; Notes; Works Cited; Chapter 5: Rewriting History from the Margins: Diasporic Memory, Shabby Chic and Archival Footage; Outside the Law: Revisiting the Contested Memory of the Algerian War of Independence; Archival Footage and Shabby Chic in Almanya: Welcome to Germany; Belle: Adding 'Colour' to English Heritage; Conclusion; Works Cited Chapter 6: Facing Dark Heritage: The Legacy of Nazi Perpetrators in German-Language FilmHow They Became What They Were: Tracing Ideological Formation Through Heritage Discourse; Death Is My Trade: Criticising German Memory Through Film Heritage; Untimely Enquiries into Dark Heritage; Works Cited; Chapter 7: Spectral Spanish Heritage: The Hauntology of La noche de los girasoles (The Night of the Sunflowers); Heritage as Hauntology; Heritage, Landscape and Tourism; Castile as Cinematic Location; Conclusion; Notes; Works Cited Chapter 8: Adapting Balzac in Jacques Rivette's Ne Touchez pas la hache (Don't Touch the Axe): Violence and the Post-Heritage AestheticLa Duchesse de Langeais on Screen; Violence and the Post-Heritage Aesthetic; Rivette and the Redefining of Heritage; Notes; Works Cited; Chapter 9: The Ironic Gaze: Roots Tourism and Irish Heritage Cinema; Rethinking the Tourist Gaze; New Tourists and the Ironic Gaze; Works Cited; Part III: Modes of Consumption; Chapter 10: Historical Films in Europe: The Transnational Production, Circulation and Reception of 'National' Heritage Drama … (more)
- Publisher Details:
- London : Palgrave Macmillan
- Publication Date:
- 2016
- Extent:
- 1 online resource
- Subjects:
- 791.43094
Motion pictures -- Europe -- History
PERFORMING ARTS / Film & Video / History & Criticism
Motion pictures
Performing Arts
History -- General
Performing Arts -- Film & Video -- General
History
Films, cinema
Communication
History
Social Science -- Media Studies
Media studies
Europe
Electronic books
History
Electronic books - Languages:
- English
- ISBNs:
- 9781137522801
1137522801 - Related ISBNs:
- 9781137522795
1137522798 - Notes:
- Note: Includes bibliographical references and index.
Note: Online resource, title from PDF title page (EBSCO), viewed September 8, 2016. - Access Rights:
- Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
- Access Usage:
- Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.
- View Content:
- Available online (eLD content is only available in our Reading Rooms) ↗
- Physical Locations:
- British Library HMNTS - ELD.DS.347793
- Ingest File:
- 01_302.xml