Screening European heritage : creating and consuming history on film /: creating and consuming history on film. (2016)

• Record Type: Book
• Further Information: Note: Paul Cooke, Rob Stone.
• Editors: Cooke, Paul; Stone, Rob
• Contents: Notes on Contributors; List of Figures; Introduction; Screening European Heritage; Works Cited; Part I: Contexts of Production; Chapter 1: The Politics and Sociology of Screening the Past: A National and Transnational Perspective; Heritage and EU Cultural Policy; National Historical Narratives and the Transnational Context; Audiences and the National and Transnational Dimension of Heritage; Contested Heritage: The Past and Contemporary Politics; The Politics of Heritage and Memory; Notes; Works Cited Chapter 2: British Flanders: Co-produced Television Drama and the Limits of a European HeritageThe Deregulation of British Film and Television; Co-producing Britain in Flanders; The Limits of a European Heritage; Works Cited; Chapter 3: Whose Heritage?: Noi credevamo (We Believed) and the National, Regional and Transnational Dynamics of the Risorgimento Film; Historical Epics, the Risorgimento and Heritage Cinema; We Believed; Problematising the Revolutionary Narrative; Problematising National Unity; Production: Problematising National Cinema; Conclusion; Notes; Works Cited Part II: Limits of RepresentationChapter 4: Towards World Heritage Cinema (Starting from the Negative); Owning History; Made in Italy; Last and Later Emperors; World Heritage Cinema; Conclusion: Unnecessary Pasts; Notes; Works Cited; Chapter 5: Rewriting History from the Margins: Diasporic Memory, Shabby Chic and Archival Footage; Outside the Law: Revisiting the Contested Memory of the Algerian War of Independence; Archival Footage and Shabby Chic in Almanya: Welcome to Germany; Belle: Adding 'Colour' to English Heritage; Conclusion; Works Cited Chapter 6: Facing Dark Heritage: The Legacy of Nazi Perpetrators in German-Language FilmHow They Became What They Were: Tracing Ideological Formation Through Heritage Discourse; Death Is My Trade: Criticising German Memory Through Film Heritage; Untimely Enquiries into Dark Heritage; Works Cited; Chapter 7: Spectral Spanish Heritage: The Hauntology of La noche de los girasoles (The Night of the Sunflowers); Heritage as Hauntology; Heritage, Landscape and Tourism; Castile as Cinematic Location; Conclusion; Notes; Works Cited Chapter 8: Adapting Balzac in Jacques Rivette's Ne Touchez pas la hache (Don't Touch the Axe): Violence and the Post-Heritage AestheticLa Duchesse de Langeais on Screen; Violence and the Post-Heritage Aesthetic; Rivette and the Redefining of Heritage; Notes; Works Cited; Chapter 9: The Ironic Gaze: Roots Tourism and Irish Heritage Cinema; Rethinking the Tourist Gaze; New Tourists and the Ironic Gaze; Works Cited; Part III: Modes of Consumption; Chapter 10: Historical Films in Europe: The Transnational Production, Circulation and Reception of 'National' Heritage Drama
• Publisher Details: London : Palgrave Macmillan
• Publication Date: 2016
• Extent: 1 online resource
• Subjects: 791.43094; Motion pictures -- Europe -- History; PERFORMING ARTS / Film & Video / History & Criticism; Motion pictures; Performing Arts; History -- General; Performing Arts -- Film & Video -- General; History; Films, cinema; Communication; History; Social Science -- Media Studies; Media studies; Europe; Electronic books; History; Electronic books
• Languages: English
• ISBNs: 9781137522801; 1137522801
• Related ISBNs: 9781137522795; 1137522798
• Notes: Note: Includes bibliographical references and index.; Note: Online resource, title from PDF title page (EBSCO), viewed September 8, 2016.
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.