Embodied philosophy in dance : Gaga and Ohad Naharin's movement research /: Gaga and Ohad Naharin's movement research. (2016)
- Record Type:
- Book
- Title:
- Embodied philosophy in dance : Gaga and Ohad Naharin's movement research /: Gaga and Ohad Naharin's movement research. (2016)
- Main Title:
- Embodied philosophy in dance : Gaga and Ohad Naharin's movement research
- Further Information:
- Note: Einav Katan.
- Authors:
- Katan-Schmid, Einav
- Contents:
- Dedication; Acknowledgments; Contents; List of Figures; Part I: Embodied Philosophy in Dance: Introduction; Chapter 1: Dance and€Philosophy: Phrasing an€Entrance; 1 Dance; 2 Words; Chapter 2: Dance as€Embodied Philosophy; 1 Expressivity, Semblance, and€Actuality; 2 Dance as€Hermeneutical Experience; 3 Embodiment of€Meanings in€Dance; Chapter 3: Habitus, Embodied Knowledge, and€Physical Intelligence; 1 Exercising Habitus; 2 Beyond a€Procedural Technique; Chapter 4: Embodied Reflections; 1 The Effortlessness of€Thinking in€Movement; 2 Pragmatic Game of€Reasoning. Part II: The Sensual Emphasis of GagaChapter 5: "Float!"; 1 An€Experimental Point of€View; 2 The Sensual Emphasis in€Gaga; Chapter 6: Enacting Perception; 1 Sensations as€Sources within Perceptual Processes; 2 Perception as€Enactive Attunement; Chapter 7: Extending Perception; 1 Purposiveness without Purpose; 2 Perceiving Varieties; 3 A Free Game of€Imagination and€Understanding; Chapter 8: Dancing Metaphors; 1 Imagination within Perception; 2 The Abductive Logic of€Creation; 3 The Innovative Meaning of€a€Metaphorical Movement; Chapter 9: The Phenomenological Method of€Gaga. 1 From Embodied Knowledge to€Bodily Knowledge2 Coordination of€Body and€Mind; Part III: The Mental Emphasis of Gaga; Chapter 10: "Connect Effort into Pleasure!"; 1 An Experimental Point of€View; 2 The Mental Emphasis in€Gaga; Chapter 11: The Challenge of€a€Perceptual Gap between Body and€Mind; 1 Directing an€Image of€the€Body; 2 Directing an€ImageDedication; Acknowledgments; Contents; List of Figures; Part I: Embodied Philosophy in Dance: Introduction; Chapter 1: Dance and€Philosophy: Phrasing an€Entrance; 1 Dance; 2 Words; Chapter 2: Dance as€Embodied Philosophy; 1 Expressivity, Semblance, and€Actuality; 2 Dance as€Hermeneutical Experience; 3 Embodiment of€Meanings in€Dance; Chapter 3: Habitus, Embodied Knowledge, and€Physical Intelligence; 1 Exercising Habitus; 2 Beyond a€Procedural Technique; Chapter 4: Embodied Reflections; 1 The Effortlessness of€Thinking in€Movement; 2 Pragmatic Game of€Reasoning. Part II: The Sensual Emphasis of GagaChapter 5: "Float!"; 1 An€Experimental Point of€View; 2 The Sensual Emphasis in€Gaga; Chapter 6: Enacting Perception; 1 Sensations as€Sources within Perceptual Processes; 2 Perception as€Enactive Attunement; Chapter 7: Extending Perception; 1 Purposiveness without Purpose; 2 Perceiving Varieties; 3 A Free Game of€Imagination and€Understanding; Chapter 8: Dancing Metaphors; 1 Imagination within Perception; 2 The Abductive Logic of€Creation; 3 The Innovative Meaning of€a€Metaphorical Movement; Chapter 9: The Phenomenological Method of€Gaga. 1 From Embodied Knowledge to€Bodily Knowledge2 Coordination of€Body and€Mind; Part III: The Mental Emphasis of Gaga; Chapter 10: "Connect Effort into Pleasure!"; 1 An Experimental Point of€View; 2 The Mental Emphasis in€Gaga; Chapter 11: The Challenge of€a€Perceptual Gap between Body and€Mind; 1 Directing an€Image of€the€Body; 2 Directing an€Image of€Movement; 3 A Paranoiac Condition for€Knowledge; Chapter 12: The Involvement of€Psychology and€Physicality; 1 Bodily and€Mental Feelings; 2 Sensuality, Sensitivity, and€the€Act of€Sense Making. Chapter 13: Comprehending Emotions and€Directing a€Mood1 Emotions: Embodied Appraisals Charged with€Sense; 2 Emotions as€Sources within Embodied Reflection; 3 Mental and€Physical Procedures of€Attunement; Chapter 14: Intentionality and€the€Aesthetic Will; 1 Being Ready to€Perceive; 2 The Emergence of€a€Knowledgeable Will; Part IV: Gaga: Physical Practice of Intelligence; Chapter 15: Multitasking Inquiries; 1 An Experimental Point of€View; 2 The Practice of€Physical Intelligence in€Gaga; Chapter 16: Decision Making; 1 Precision of€Intentionality; 2 Aesthetic Judgments. Chapter 17: The Intelligible Form1 The Primacy of€Somatic Attention; 2 Living a€Form; Chapter 18: Rhythm: Synchronization of€Body and€Mind; 1 Feeling Rhythmic; 2 Being Groovy; Chapter 19: The Physical Practice of€Intelligence; 1 The Technique of€Facing Perceptual Challenges; 2 Habitual Growth and€the€Infinity of€Perception; 3 The Physical Habitus and€Its World of€Values; Part V: The Moving Forms of Dancing Gaga; Chapter 20: Bellus; 1 An Experimental Point of€View; 2 Moving Forms in€Dancing Gaga; Chapter 21: The Dancing Body as€a€Means of€Expression; 1 The Body as€a€Medium for€Perception. … (more)
- Publisher Details:
- London : Palgrave Macmillan
- Publication Date:
- 2016
- Extent:
- 1 online resource
- Subjects:
- 792.8/01
Modern dance
Modern dance -- Philosophy
PERFORMING ARTS -- Theater -- General
Modern dance
Modern dance -- Philosophy
Performing Arts -- General
Philosophy -- Mind & Body
Philosophy -- Aesthetics
Dance & other performing arts
Philosophy of mind
Philosophy: aesthetics
Dance
Performing arts
Philosophy of mind
Aesthetics
Performing Arts -- Dance -- General
Dance
Electronic books - Languages:
- English
- ISBNs:
- 9781137601865
1137601868 - Related ISBNs:
- 9781137601858
- Notes:
- Note: Includes bibliographical references and index.
Note: Online resource; title from PDF title page (EBSCO, viewed October 12, 2016). - Access Rights:
- Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
- Access Usage:
- Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.
- View Content:
- Available online (eLD content is only available in our Reading Rooms) ↗
- Physical Locations:
- British Library HMNTS - ELD.DS.344192
- Ingest File:
- 01_295.xml