Latin American documentary film in the new millennium. ([2016])

• Record Type: Book
• Further Information: Note: María Guadalupe Arenillas, Michael J. Lazzara, editors.
• Editors: Arenillas, María G; Lazzara, Michael J
• Contents: Acknowledgments; Contents; Contributors; List of Figures ; Chapter 1: Introduction: Latin American Documentary Film in the New Millennium; Notes; Part I: The Subjective Turn and Beyond; Chapter 2: What Remains of Third Cinema?; Citations; The Individual and the Collective; Mourning versus Combat; Notes; Chapter 3: Andrés Di Tella and Argentine Documentary Film; A Time for Questioning: Montoneros, una historia; Further Questions: Prohibido; A Turn Toward the Personal: La televisión y yo; Subjectivity Emerges: Fotografías; In Search of Other Collective Pasts: El país del diablo. Kindred Spirits, Connected Stories: Hachazos Notes; Chapter 4: Displacing the "I": Uses of the First Person in Recent Argentine Biographical Documentaries; Competing First Persons; The First Person Fades Out; A Final Reflection; Notes; Chapter 5: The "Mobility Turn" in Contemporary Latin American First-Person Documentary; Toward a Periodization of Mobility in Latin American Documentary Film; Mobile Women; Mobility and the Encounter with the Other; Mobility and Subjectivity: Convergent Forces; Notes. Chapter 6: The Politics-Commodity: The Rise of Mexican Commercial Documentary in the Neoliberal Era The Documentary in Mexico's Neoliberal Film Industry; Beyond Resistance: The Documentary as Commodity; Notes; Chapter 7: Where Are the "People"?: The Politics of the Virtual and the Ordinary in Contemporary Brazilian Documentaries; Parallel Lives; Excavating the Ordinary; Notes; Part II: The Ethics of Encounter; Chapter 8: Ethnobiographic Encounters and Interculturalism: New Modes of Reflexivity in Contemporary Documentaries from Argentina; Huellas y memoria de Jorge Prelorán. El etnógrafo New Forms of Reflexivity; Final Reflections: Interculturalism in Post-2001 Argentina; Notes; Chapter 9: Performance, Reflexivity, and the Languages of History in Contemporary Brazilian Documentary Film; The Art of Interviewing: Eduardo Coutinho and the Theater of the Real; Performing Reflexivity: The Director as Character; The Other Takes the Camera; Notes; Chapter 10: A Common Gaze: Reflections on New Documentary Practices in Peru; The Complex Tradition of Peruvian Documentary Film; Caravana Documentary Project: Unmaking the Spectator's Gaze. A Portrait of Representation Itself Notes; Chapter 11: Audiovisual Affect: Sexuality and the Public Sphere in the Work of Colombia's Escuela Audiovisual al Borde; Sexual Politics: Mujeres al Borde and the Emergence of LGBT Activism in Colombia; Sharing Transnational Stories of Sexual Dissidence: Escuela Audiovisual al Borde; Image, Affect, and Intervention; Notes; Chapter 12: Capturing the "Real" in Panama's Canal Ghettos; Framing the Canal; Ghetto Documentaries: Between Denouncing and Glorifying Violence; Violence Is "Prity": The Traps of Poverty Porn.
• Publisher Details: New York : Palgrave Macmillan
• Publication Date: 2016
• Extent: 1 online resource (xvii, 302 pages .)
• Subjects: 791.43098; Political science; Documentary films -- Latin America -- History and criticism; POLITICAL SCIENCE -- Essays; POLITICAL SCIENCE -- Government -- General; POLITICAL SCIENCE -- Government -- National; POLITICAL SCIENCE -- Reference; Documentary films; Performing Arts -- Film & Video -- General; Social Science -- General; Social Science -- Sociology -- General; Films, cinema; Cultural studies; Documentary films; Motion pictures, American; Documentary films; Politics & government; Latin America; Electronic books; Criticism, interpretation, etc
• Languages: English
• ISBNs: 9781137495235; 1137495235; 1137495227; 9781137495228
• Related ISBNs: 1137495227; 9781137495228
• Notes: Note: Print version record.
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.