History, fiction, and the Tudors : sex, politcs, power, and artistic license in the Showtime television series /: sex, politcs, power, and artistic license in the Showtime television series. ([2016])
- Record Type:
- Book
- Title:
- History, fiction, and the Tudors : sex, politcs, power, and artistic license in the Showtime television series /: sex, politcs, power, and artistic license in the Showtime television series. ([2016])
- Main Title:
- History, fiction, and the Tudors : sex, politcs, power, and artistic license in the Showtime television series
- Further Information:
- Note: Edited by William B. Robison.
- Editors:
- Robison, William Baxter, 1954-
- Contents:
- Acknowledgments; Contents; Chapter 1: Introduction; Notes; Chapter 2: Henry VIII in The Tudors: Romantic Renaissance Warrior or Soap Opera Playboy?; Notes; Chapter 3: Catherine of Aragon in The Tudors: Dark Hair, Devotion, and Dignity in Despair; Notes; Chapter 4: The Tudors, Natalie Dormer, and Our "Default" Anne Boleyn; Historical Fiction as Cultural Conversation; Our Default Anne; Natalie Dormer's Anne; Winning Sympathy for the (She) Devil; Notes; Chapter 5: The Last Four Queens of Henry VIII in The Tudors; Notes; Chapter 6: The Significance of the King's Children in The Tudors Mary: Henry's First Heir: Brave, Pious, and CharismaticHenry Fitzroy: A Bastard Who Plays the Role of Prince; Elizabeth: Disappointment, Bastard, Discreet Young Princess, and Future Queen; Edward: The Promised and Special Son, the Hope for the Future; Henry and His Children; Notes; Chapter 7: The King's Sister(s), Mistresses, Bastard(s), and "Uncle" in The Tudors; Notes; Chapter 8: The King's In-Laws in The Tudors; Notes; Chapter 9: The King's Friends in The Tudors; Notes; Chapter 10: Postmodern and Conservative: The King's Ministers in The Tudors; Notes Chapter 11: A Cardboard Crown: Kingship in The TudorsNotes; Chapter 12: The Tudors and the Tudor Court: Know Your Symptom; Producing the Tudor Court; The Fall of Anne Boleyn; The Court as a Screen for Masculinity; Conclusion; Notes; Chapter 13: "The Dyer's Hands Are Always Stained": Religion and the Clergy in The Tudors; Notes; Chapter 14: Fact,Acknowledgments; Contents; Chapter 1: Introduction; Notes; Chapter 2: Henry VIII in The Tudors: Romantic Renaissance Warrior or Soap Opera Playboy?; Notes; Chapter 3: Catherine of Aragon in The Tudors: Dark Hair, Devotion, and Dignity in Despair; Notes; Chapter 4: The Tudors, Natalie Dormer, and Our "Default" Anne Boleyn; Historical Fiction as Cultural Conversation; Our Default Anne; Natalie Dormer's Anne; Winning Sympathy for the (She) Devil; Notes; Chapter 5: The Last Four Queens of Henry VIII in The Tudors; Notes; Chapter 6: The Significance of the King's Children in The Tudors Mary: Henry's First Heir: Brave, Pious, and CharismaticHenry Fitzroy: A Bastard Who Plays the Role of Prince; Elizabeth: Disappointment, Bastard, Discreet Young Princess, and Future Queen; Edward: The Promised and Special Son, the Hope for the Future; Henry and His Children; Notes; Chapter 7: The King's Sister(s), Mistresses, Bastard(s), and "Uncle" in The Tudors; Notes; Chapter 8: The King's In-Laws in The Tudors; Notes; Chapter 9: The King's Friends in The Tudors; Notes; Chapter 10: Postmodern and Conservative: The King's Ministers in The Tudors; Notes Chapter 11: A Cardboard Crown: Kingship in The TudorsNotes; Chapter 12: The Tudors and the Tudor Court: Know Your Symptom; Producing the Tudor Court; The Fall of Anne Boleyn; The Court as a Screen for Masculinity; Conclusion; Notes; Chapter 13: "The Dyer's Hands Are Always Stained": Religion and the Clergy in The Tudors; Notes; Chapter 14: Fact, Fiction, and Fantasy: Conspiracy and Rebellion in The Tudors; Notes; Chapter 15: Crime, Punishment, and Violence in The Tudors; Notes; Chapter 16: Humanism and Humanitarianism in The Tudors; Notes Chapter 17: All That Glitters is (Fool's) Gold: Depictions of Court Entertainment in The TudorsConclusion; Notes; Chapter 18: Holbein and the Artistic Mise-en-Scène of The Tudors; Notes; Chapter 19: Fashionable Fiction: The Significance of Costumes in The Tudors; Introduction; Clothes and Costumes; Creating a Tudor Wardrobe; Purpose and Function; Clothes or Costumes; Case Studies; Henry VIII: Clothes and Kingship; Queenship: The Significance of Being the King's Consort; Royal Heirs-The Significance of Family; Conclusions; Notes Chapter 20: Putting Women in Their Place: Gender, Sex, and Rape in The TudorsNotes; Chapter 21: Incomplete Prescription: Maladies and Medicine in The Tudors; Notes; Index … (more)
- Publisher Details:
- New York : Palgrave Macmillan
- Publication Date:
- 2016
- Extent:
- 1 online resource (xiii, 384 pages)
- Subjects:
- 791.457
History
Historical television programs -- History and criticism
PERFORMING ARTS / Reference
Historical television programs
Social Science -- Gender Studies
Political Science -- History & Theory
Performing Arts -- Film & Video -- General
Gender studies, gender groups
Political science & theory
Films, cinema
Sociology
World politics
History -- Europe -- Great Britain
British & Irish history
Great Britain -- History -- Tudors, 1485-1603
Great Britain
Electronic books
Criticism, interpretation, etc
History - Languages:
- English
- ISBNs:
- 9781137438836
1137438835 - Related ISBNs:
- 9781137438812
1137438819 - Notes:
- Note: Includes bibliographical references.
Note: Print version record. - Access Rights:
- Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
- Access Usage:
- Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.
- View Content:
- Available online (eLD content is only available in our Reading Rooms) ↗
- Physical Locations:
- British Library HMNTS - ELD.DS.341604
- Ingest File:
- 01_292.xml