Networked music cultures : contemporary approaches, emerging issues /: contemporary approaches, emerging issues. ([2016])

• Record Type: Book
• Further Information: Note: Raphael Nowak, Andrew Whelan, editors.
• Editors: Nowak, Raphaël, 1985-; Whelan, Andrew
• Contents: Contributor Biographies; List of Figures; List of Tables; Chapter 1: Editors' Introduction; 1.1 Music and€Digital Technologies; 1.2 Networked Music Cultures; 1.3 Outline of€the€Book; Bibliography; Chapter 2: The People's Mixtape: Peer-to-Peer File Sharing without the€Internet in€Contemporary Cuba; 2.1 Prologue; 2.2 'The People's Internet': Foreign Texts in€Cuba; 2.3 Static and€Hiss: Contextualising USB Use in€Cuba; 2.4 Getting the€Content, Getting the€Devices; 2.5 Extra-textual Data Loss: File Sharing and/as Collective Identity; 2.6 Conclusion: The€Future of€File Sharing. 2.7 EpilogueNotes; Bibliography; Chapter 3: Musica Analytica: The€Datafication of€Listening; 3.1 Spotify: The€Echo Nest; 3.2 Pandora Internet Radio: The€Music Genome Project; 3.3 Data-Driven Advertising on€Pandora; 3.4 Political Ad Targeting; 3.5 Conclusion; Notes; Bibliography; Chapter 4: The Legacy of€Napster; 4.1 Control, Format and€Content; 4.2 Not Quite P2P; 4.3 Legal Cat and€Mouse: Not a€Technical Necessity; 4.4 Commercial Cat and€Mouse Too; 4.5 Spotify: The€Taming of€'Free' or Its Triumph?; 4.6 Who Pays and€Who Gets Paid?; 4.7 Parallel Economies of€Free and€Paid Access. 4.8 The Counterfactual Case of€Digital Sports Broadcasting4.9 Conclusion; Bibliography; Chapter 5: Streaming Music in€Japan: Corporate Cultures as€Determinants of€Listening Practice; Bibliography; Chapter 6: Making Sense of€Acquiring Music in€Mexico City; 6.1 Data Collection; 6.2 Music, Technology and€Musical Practices; 6.3 Un-blackboxing Mexican Piracy; 6.4 The Heterogeneous Know-How of€Downloading; 6.5 The Right Practices of€Music; 6.6 Strategies of€Loving Music; 6.7 Conclusion; Notes; Bibliography. Chapter 7: Reading Songs, Experiencing Music: Co-creation, Materiality and€Expertise in€Beck's Song Reader7.1 Conceptual Framework; 7.2 Description of€the€Case Study: Beck's Song Reader; 7.3 Chronology of€the€Project; 7.3.1 Pre-release; 7.3.2 Book Release, Promotion and€Early Fan Events; 7.3.3 Curated Events and€First Beck SR Performances; 7.3.4 Beck and€Friends: The€SR Concerts; 7.3.5 Warby Parker, New Record and€SR Studio Album; 7.3.6 Fan-Created Recording Projects; 7.4 Case Discussion; 7.4.1 Expertise and€Canon; 7.4.2 Beyond the€Music: The€Visuals; 7.5 Conclusion; Bibliography. Chapter 8: The Digital Music Boundary Object8.1 Narrating Digital Music; 8.1.1 In Rainbows; 8.1.2 Oversteps; 8.1.3 Lisztomania; 8.2 What Is 'Digital Music' the€Name€of?; 8.3 Ontological Politics for€Digital Music; Note; Bibliography; Chapter 9: 'A Step Back to€the€Dark Ages of€the€Music Industry': Democratisation of€Record Production and€Discourses on€Spotify in€Kuka Mitä Häh?; 9.1 The Road to€Streaming and€the€Digital Balancing of€the€Industry; 9.2 The Music Industries Conversation Group Kuka Mitä Häh? as€a€Forum for€Discursive Subjects.
• Publisher Details: London : Palgrave Macmillan
• Publication Date: 2016
• Extent: 1 online resource (xiii, 251 pages)
• Subjects: 306.4/842; Music and technology; Music trade; Music -- Social aspects; POLITICAL SCIENCE -- Public Policy -- Cultural Policy; SOCIAL SCIENCE -- Anthropology -- Cultural; SOCIAL SCIENCE -- Popular Culture; Music and technology; Music -- Social aspects; Music trade; Social Science -- Media Studies; Business & Economics -- Industries -- Media & Communications Industries; Social Science -- Sociology of Religion; Media studies; Media, information & communication industries; Religious groups: social & cultural aspects; Music; Social media; Communication; Industrial management; Music -- General; Music; Electronic books
• Languages: English
• ISBNs: 9781137582904; 1137582901
• Related ISBNs: 1137582898; 9781137582898
• Notes: Note: Includes bibliographical references and index.; Note: Print version record.
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.