Early modern black diaspora studies : a critical anthology /: a critical anthology. ([2018])
- Record Type:
- Book
- Title:
- Early modern black diaspora studies : a critical anthology /: a critical anthology. ([2018])
- Main Title:
- Early modern black diaspora studies : a critical anthology
- Further Information:
- Note: Editors, Cassander L. Smith, Nicholas R. Jones, and Miles P. Grier.
- Editors:
- Smith, Cassander L, 1977-
Jones, Nicholas R
Grier, Miles P - Contents:
- Intro; Acknowledgements; Contents; Notes on Contributors; Chapter 1 Introduction: The Contours of a Field; A Brief History of Black Studies; Black Africans in Early Modern Studies; The Critical Borders; Part I Space and Field; Chapter 2 Maroons in the Montes: Toward a Political Ecology of Marronage in the Sixteenth-Century Caribbean; The Emergent Political Vocabulary of Marronage; Maroon Expansion; Marronage in the Montes; Conclusion; Chapter 3 Women/Animals/Slaves: Race and Sexuality in Wycherley's The Country Wife; White Women and Black Slaves; Women and Animals; Black Studies/White Texts Works CitedPart II Archives and Methods; Chapter 4 Choreographies of Trans-Atlantic Primitivity: Sub-Saharan Isolation in Black Dance Historiography; Writing Black Dance Out of Slavery; Composing in Primitive Time; Shifting the Choreographic Imaginary; Chapter 5 Ventriloquizing Blackness: Citing Enslaved Africans in the French Caribbean, c.1650-1685; Chapter 6 "Candy No Witch in Her Country": What One Enslaved Woman's Testimony During the Salem Witch Trials Can Tell Us About Early American Literature; A Model for Confession; Tituba and Candy at the Crossroads of Identity Candy, the Naïve WitnessAuthorship in the Aftermath; Works Cited; Part III Period Tensions; Chapter 7 "Is Black so Base a Hue?": Black Life Matters in Shakespeare's Titus Andronicus; If the Profile Doesn't Fit…; Adultification: Metaphorical Incarceration; Amalgamated Black Bodies; Chapter 8 "[L]ooking at Me My Body AcrossIntro; Acknowledgements; Contents; Notes on Contributors; Chapter 1 Introduction: The Contours of a Field; A Brief History of Black Studies; Black Africans in Early Modern Studies; The Critical Borders; Part I Space and Field; Chapter 2 Maroons in the Montes: Toward a Political Ecology of Marronage in the Sixteenth-Century Caribbean; The Emergent Political Vocabulary of Marronage; Maroon Expansion; Marronage in the Montes; Conclusion; Chapter 3 Women/Animals/Slaves: Race and Sexuality in Wycherley's The Country Wife; White Women and Black Slaves; Women and Animals; Black Studies/White Texts Works CitedPart II Archives and Methods; Chapter 4 Choreographies of Trans-Atlantic Primitivity: Sub-Saharan Isolation in Black Dance Historiography; Writing Black Dance Out of Slavery; Composing in Primitive Time; Shifting the Choreographic Imaginary; Chapter 5 Ventriloquizing Blackness: Citing Enslaved Africans in the French Caribbean, c.1650-1685; Chapter 6 "Candy No Witch in Her Country": What One Enslaved Woman's Testimony During the Salem Witch Trials Can Tell Us About Early American Literature; A Model for Confession; Tituba and Candy at the Crossroads of Identity Candy, the Naïve WitnessAuthorship in the Aftermath; Works Cited; Part III Period Tensions; Chapter 7 "Is Black so Base a Hue?": Black Life Matters in Shakespeare's Titus Andronicus; If the Profile Doesn't Fit…; Adultification: Metaphorical Incarceration; Amalgamated Black Bodies; Chapter 8 "[L]ooking at Me My Body Across Distances": Toni Morrison's A Mercy and Seventeenth-Century European Religious Concepts of Race; Seventeenth-Century Anglican-Virginian Racial Discourses; Jacob Vaark's Temptation; Christian Eyes and Blackness; Feeling at "Home" in Early Modern Studies Chapter 9 "Do You Love Me, Master?": The Erotic Politics of Servitude in The Tempest and Its Postcolonial AfterlifeReconsidering Ariel; Fanon and the Problem of Colonial Affect; The Ariel/Caliban Debate and Its Legacy; The Tempest's Ariel as Intervention; Part IV Early Modern Black Lives Matter: A Critical Roundtable; Chapter 10 Necrocapitalism and the Early Modern Iberian Black Diaspora as Academic Field; Works Cited; Chapter 11 Debt Collecting, Disappearance, Necromancy: A Response to John Beusterien; Chapter 12 Ain't She a Shakespearean: Truth, Giovanni, and Shakespeare; Works Cited Chapter 13 The Color of Professionalism: A Response to Dennis BrittonA Pose of Concern; Poses of Innocence; Must Everyone Study Race or Risk Being Called Racist?; What About Standards?; Index … (more)
- Publisher Details:
- Cham, Switzerland : Palgrave Macmillan
- Publication Date:
- 2018
- Copyright Date:
- 2018
- Extent:
- 1 online resource
- Subjects:
- 909.0496
African diaspora
Blacks -- Race identity
Blacks -- Study and teaching
HISTORY / World
Social Science -- Emigration & Immigration
Social Science -- General
History -- Europe -- General
Literary Criticism -- Caribbean & Latin American
Migration, immigration & emigration
Cultural studies
European history
Literary studies: post-colonial literature
Literary studies: general
Emigration and immigration
Latin American literature
Literature, Modern
Electronic books - Languages:
- English
- ISBNs:
- 9783319767864
3319767860 - Related ISBNs:
- 9783319767857
- Notes:
- Note: Includes bibliographical references and index.
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- Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
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- Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.
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- Available online (eLD content is only available in our Reading Rooms) ↗
- Physical Locations:
- British Library HMNTS - ELD.DS.336055
- Ingest File:
- 01_283.xml