Computational aesthetics. (2018)
- Record Type:
- Book
- Title:
- Computational aesthetics. (2018)
- Main Title:
- Computational aesthetics
- Further Information:
- Note: Yasuhiro Suzuki [and 6 others].
- Other Names:
- Suzuki, Y (Yasuhiro)
- Contents:
- Intro; Preface; Contents; Chapter 1: Computational Aesthetics; 1.1 What Is Computation?; 1.2 Algorithm Brings Miracle; 1.3 Algorithm + Executer = Computing; 1.4 Type of Algorithms; 1.5 Aesthetics in Computing; 1.6 Aesthetics in Arts; 1.7 Computational Aesthetics; 1.8 Arts by Algorithm; 1.8.1 Mutation and Selection; 1.8.2 Arts by Algorithm; 1.9 Experimentally Investigation of Aesthetics of Visual Art; 1.9.1 Factor Analysis; 1.9.2 Multiple Range Test; 1.10 Result of Experimental Aesthetics; 1.11 Aesthetics of Tactile Sense; 1.12 Tactile Score; 1.12.1 Language of Tactile Sense 1.13 Aesthetical Principle of Composing Tactile Sense1.14 Conjecture: Composing Principle of Rational Tactile Sense; 1.15 Verification of Relational Expression of Rational Tactile Score, RTS; 1.15.1 Beauty Effects; 1.15.2 Stress Mitigation; 1.15.3 Near Infrared Spectroscopy, NIRS; 1.16 From Designed Tactile Score to Visual, Audio and Haptic Sense; 1.17 Final Remarks; Appendix: Method for Evaluating Output Pictures; Questionnaire Using Semantic Differential Method; Factor Analysis Method; Correlation Coefficient; Identification of the Number of Factors; Factor Nomenclature Multiple Comparison TestReferences; Chapter 2: On the Possibility of Computational Aesthetics of Massaging; 2.1 Introduction: Aesthetics of Massaging?; 2.2 Objections and Replies (1); 2.2.1 Kant's Criticism of Massaging; 2.2.2 The Passage Is Located in a Discussion on the 'Sublime'; 2.2.3 The Story of Enlightenment Cannot Forbid Us toIntro; Preface; Contents; Chapter 1: Computational Aesthetics; 1.1 What Is Computation?; 1.2 Algorithm Brings Miracle; 1.3 Algorithm + Executer = Computing; 1.4 Type of Algorithms; 1.5 Aesthetics in Computing; 1.6 Aesthetics in Arts; 1.7 Computational Aesthetics; 1.8 Arts by Algorithm; 1.8.1 Mutation and Selection; 1.8.2 Arts by Algorithm; 1.9 Experimentally Investigation of Aesthetics of Visual Art; 1.9.1 Factor Analysis; 1.9.2 Multiple Range Test; 1.10 Result of Experimental Aesthetics; 1.11 Aesthetics of Tactile Sense; 1.12 Tactile Score; 1.12.1 Language of Tactile Sense 1.13 Aesthetical Principle of Composing Tactile Sense1.14 Conjecture: Composing Principle of Rational Tactile Sense; 1.15 Verification of Relational Expression of Rational Tactile Score, RTS; 1.15.1 Beauty Effects; 1.15.2 Stress Mitigation; 1.15.3 Near Infrared Spectroscopy, NIRS; 1.16 From Designed Tactile Score to Visual, Audio and Haptic Sense; 1.17 Final Remarks; Appendix: Method for Evaluating Output Pictures; Questionnaire Using Semantic Differential Method; Factor Analysis Method; Correlation Coefficient; Identification of the Number of Factors; Factor Nomenclature Multiple Comparison TestReferences; Chapter 2: On the Possibility of Computational Aesthetics of Massaging; 2.1 Introduction: Aesthetics of Massaging?; 2.2 Objections and Replies (1); 2.2.1 Kant's Criticism of Massaging; 2.2.2 The Passage Is Located in a Discussion on the 'Sublime'; 2.2.3 The Story of Enlightenment Cannot Forbid Us to Conduct Research into Massaging; 2.3 Objections and Replies (2); 2.3.1 Herder Does Not Treat Tactile Senses Itself; 2.3.2 Sculpture Is Not the Art of Tactile Sense 2.3.3 The Researcher Who Emphasizes the Traverse among the Five Senses in a Haptic Eye, Refuses the Research of Tactile Sense Itself2.4 Current Results of Computational Aesthetics of Tactile Sense; 2.4.1 Massage as a Research Object; 2.4.2 Problems and the First Result: Invention of Tactile Score (TS); 2.4.3 Why Is 'Computational' Aesthetics Suitable?; 2.4.4 Expectations for the Near Future: Translatability of Sense; References; Chapter 3: Herder on "Sentio, Ergo Sum": Seen from His Remarks on the Color Harpsichord; 3.1 Introduction; 3.2 Invention of the Color Harpsichord and Its Spread 3.3 What Do Herder's Remarks on the Color Harpsichord Mean?3.4 Conclusion; References; Chapter 4: A Brief Consideration About the Relationship Between Sound Art and Tactile Sense; 4.1 Introduction; 4.2 A Historical Perspective on Sound Art; 4.2.1 From 1850 to 1945; 4.2.2 From 1945 to 1980; 4.2.3 From 1980 to the Present; 4.3 Tactile Sense in Sound Art; 4.4 Conclusion; References; Chapter 5: A Spectro-Gestural-Morphological Analysis of a Musical-Tactile Score; 5.1 Tactile Scores; 5.2 Gestural-Sonorous Objects and Spectromorphology; 5.3 Analysis; 5.4 Conclusion and Future Developments … (more)
- Publisher Details:
- Japan : Springer
- Publication Date:
- 2018
- Extent:
- 1 online resource, illustrations (some color)
- Subjects:
- 006.6869
Engineering
Computer graphics
Image processing -- Digital techniques
Aesthetics -- Data processing
COMPUTERS / General
Computers -- Computer Vision & Pattern Recognition
Psychology -- Cognitive Psychology
Computer vision
Cognition & cognitive psychology
Computer vision
Consciousness
Computers -- Intelligence (AI) & Semantics
Artificial intelligence
Electronic books - Languages:
- English
- ISBNs:
- 9784431568445
4431568441 - Related ISBNs:
- 9784431568421
4431568425 - Notes:
- Note: Includes bibliographical references.
Note: Online resource; title from PDF title page (EBSCO, viewed October 3, 2018). - Access Rights:
- Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
- Access Usage:
- Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.
- View Content:
- Available online (eLD content is only available in our Reading Rooms) ↗
- Physical Locations:
- British Library HMNTS - ELD.DS.334148
- Ingest File:
- 01_279.xml