Ian McEwan : contemporary critical perspectives /: contemporary critical perspectives. (2013)

• Record Type: Book
• Further Information: Note: Edited by Sebastian Groes.
• Editors: Groes, Sebastian
• Contents: Series Editors' Preface \ Acknowledgements \ Preface: Ian McEwan and the Rational Mind, Matt Ridley \ Introduction: A Cartography of the Contemporary: Mapping Newness in the Work of Ian McEwan, Sebastian Groes \ Chronology \ 1. Surreal Encounters in McEwan's Early Work, Jeanette Baxter \ 2. 'Profoundly Dislocating and Infinite in Possibility': Ian McEwan's Screenwriting, M. Hunter Hayes and Sebastian Groes \ 3. The Innocent as Anti-Oedipal Critique of Cultural Pornography, Claire Colebrook \ 4. War of the Words: Atonement and the Question of Plagiarism, Natasha Alden \ 5. Postmodernism and the Ethics of Fiction in Atonement, Alistair Cormack \ 6. Ian McEwan and Modernist Time: Atonement and Saturday, Laura Marcus \ 7. Ian McEwan and the Modernist Consciousness of the City in Saturday, Sebastian Groes \ 8. On Chesil Beach: Another 'Overrated' Novella? Dominic Head \ 9. Solar: An Ecocritical Reading, Greg Garrard \ Journeys without Maps: An Interview with Ian McEwan, Jon Cook, Sebastian Groes and Victor Sage \ Further Reading \ Index.
• Edition: 2nd Edition
• Publisher Details: London : Bloomsbury Academic
• Publication Date: 2013
• Copyright Date: 2013
• Extent: 1 online resource (208 pages)
• Subjects: 823.914; Literary studies: fiction, novelists & prose writers; Literary Criticism -- General; Literary studies: from c 1900; Criticism and interpretation
• Languages: English
• ISBNs: 9781623561918; 1623561914
• Related ISBNs: 9781441139221
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.