Songs of Social Protest : International Perspectives /: International Perspectives. (2018)
- Record Type:
- Book
- Title:
- Songs of Social Protest : International Perspectives /: International Perspectives. (2018)
- Main Title:
- Songs of Social Protest : International Perspectives
- Further Information:
- Note: Aileen Dillane, Martin J. Power, Eoin Devereux, Amanda Haynes.
- Editors:
- Dillane, Aileen
Power, Martin J
Devereux, Eoin
Haynes, Amanda - Contents:
- <span style="font-weight:bold;">Foreword: Dave Randall / <span style="font-weight:bold;">Introduction: Get Up, Stand Up, Sing Out: The Contemporary Relevance of Protest Song (Aileen Dillane, Martin J. Power, Eoin Devereux and Amanda Haynes) / <span style="font-weight:bold;">Protest and the African-American Experience / Chapter 1: Social Protest and Resistance in African American Song from Slavery through the Civil Rights Movement (Robert W. Stephens and Mary Ellen Junda) / Chapter 2: <span style="font-weight:bold;">&ldquo; You&rsquo;ll Never Hear <span style="font-style:italic;">Kumbaya the Same Way Again&rdquo;: The Diffusion and Defusion of a Freedom Song. <span style="font-weight:bold;"> (Robbie Lieberman) / Chapter 3: Billie Holiday&rsquo;s Popular Front Songs of Protest (Jonathon Bakan) / <span style="font-weight:bold;">Protest Genealogies / Chapter 4: Songs of Social Protest, Then and Now (William Danaher) / Chapter 5: Pete Seeger and the Politics of Participation (Rob Rosenthal) / Chapter 6: The Radicalisation of Phil Ochs and the Radicalisation of the Sixties (Anthony Ashbolt) / Chapter 7: Ewan McColl&rsquo;s Radio Ballads as Songs of Social Protest (Matthew Ord) / Chapter 8: &lsquo;Message Songs are A Drag&rdquo;: Bob Dylan Protesting Too Much? (Joseph O&rsquo;Connor) / <span style="font-weight:bold;">Transforming Traditions / Chapter 9: Expressions of <span style="font-style:italic;">Māʻohi -ness in Contemporary Tahitian Popular Music (Geoffroy Colson) / Chapter<span style="font-weight:bold;">Foreword: Dave Randall / <span style="font-weight:bold;">Introduction: Get Up, Stand Up, Sing Out: The Contemporary Relevance of Protest Song (Aileen Dillane, Martin J. Power, Eoin Devereux and Amanda Haynes) / <span style="font-weight:bold;">Protest and the African-American Experience / Chapter 1: Social Protest and Resistance in African American Song from Slavery through the Civil Rights Movement (Robert W. Stephens and Mary Ellen Junda) / Chapter 2: <span style="font-weight:bold;">&ldquo; You&rsquo;ll Never Hear <span style="font-style:italic;">Kumbaya the Same Way Again&rdquo;: The Diffusion and Defusion of a Freedom Song. <span style="font-weight:bold;"> (Robbie Lieberman) / Chapter 3: Billie Holiday&rsquo;s Popular Front Songs of Protest (Jonathon Bakan) / <span style="font-weight:bold;">Protest Genealogies / Chapter 4: Songs of Social Protest, Then and Now (William Danaher) / Chapter 5: Pete Seeger and the Politics of Participation (Rob Rosenthal) / Chapter 6: The Radicalisation of Phil Ochs and the Radicalisation of the Sixties (Anthony Ashbolt) / Chapter 7: Ewan McColl&rsquo;s Radio Ballads as Songs of Social Protest (Matthew Ord) / Chapter 8: &lsquo;Message Songs are A Drag&rdquo;: Bob Dylan Protesting Too Much? (Joseph O&rsquo;Connor) / <span style="font-weight:bold;">Transforming Traditions / Chapter 9: Expressions of <span style="font-style:italic;">Māʻohi -ness in Contemporary Tahitian Popular Music (Geoffroy Colson) / Chapter 10: Casteism and Cultural Capital: Social and Spiritual Reform through Kabir-Singing in North India (Vivek Virani) / Chapter 11: Singing Against the Empire: Anti-structure and Anti-colonial Discourse in Nineteenth (Tr&iacute;ona N&iacute; Sh&iacute;och&aacute;in) / <span style="font-weight:bold;">Freedom and Autonomy / Chapter 12: &ldquo;Organic Intellectuals&rdquo;: The Role of Protest Singers in the Overthrowing of the Portuguese Dictatorship, 1926-1974 (Isabel David) / Chapter 13: Singing Protest in Post-war Italy: Fabrizio De Andr&eacute;&rsquo;s Songs Within the Context of Italian Canzone d&rsquo;Autore (Riccardo Orlandi) / Chapter 14: The Trajectory of Protest Song from Dictatorship to Democracy and the Independence Movement in Catalonia: Llu&iacute;s Llach and the Catalan <span style="font-style:italic;">Nova Can&ccedil;&oacute; (Nuria Borrull) / Chapter 15: Making the Everyday Political: The Case of <span style="font-style:italic;">Janāpādā Geyalu as Protest Songs in the Telangana State Formation Movement, India (Rahul Sambaraju) / <span style="font-weight:bold;">Politics, Participation and Activism in the Field / Chapter 16: &ldquo;Freedom is a Constant Struggle&rdquo;: Performance and Regeneration Amidst Social Movement Decline (Omotayo Jolaosho) / Chapter 17: Cultural Production as a Political Act: Two Feminist Songs from Istanbul (Evrim Hikmet &Ouml;ğ&uuml;t) / Chapter 18: Hip Hop as Civil Society: Activism and Escapism in Uganda&rsquo;s Hip Hop Scene (Simran Singh-Grewal) / <span style="font-weight:bold;">Semiotics, Mediation, and Manipulation / Chapter 19: BOOM! Goes the Global Protest Movement: Heavy Metal, Protest, and the Televisual in System of a Down&rsquo;s &ldquo;Boom!&rdquo; Music Video (Neil King) / Chapter 20: Pussy Riot: Performing &ldquo;Punkness, &rdquo; or Taking the &ldquo;Riot&rdquo; out of &ldquo;Riot Grrrl&rdquo; (Julianne Graper) / Chapter 21: Camp Fascism: The Tyranny of the Beat (Tiffany Naiman) / Chapter 22: Protest Songs, Social Media, and the Exploitation of Syrian Children (Guilnard Moufarrej) / <span style="font-weight:bold;">Protesting Bodies and Embodiment / Chapter 23: &ldquo;Bread and Roses&rdquo;: a Song of Social Protest or Hollowed out Resistance? (Gwen Moore) / Chapter 24: &ldquo;We Shall Overcome&rdquo;: Communal Participation and Entrainment in a Social Protest Song (Th&eacute;r&egrave;se Smith) / <span style="font-weight:bold;">Borderlands and Contested Spaces / Chapter 25: The Language We Use: Representations of Morrissey as a Figure of Protest in Queer Latino Los Angeles (Melissa Hidalgo) / Chapter 26: Rising from the Ashes of &ldquo;The Grove&rdquo;: The Efficacy and Aesthetics of Protest Songs Represented in Ry Cooder&rsquo;s <span style="font-style:italic;">Ch&aacute;vez Ravine (Donnacha M. Toomey) / Chapter 27: Mariem Hassan, Nubenegna Records and The Western Saharawi Struggle (Luis Giminez) / <span style="font-weight:bold;">Critiquing Capitalism and the Neoliberal Tide / Chapter 28: Against the Grain: Counter-Hegemonic Representations of Pre and Post &lsquo;Celtic-Tiger&rsquo; Ireland in the &lsquo;Protest&rsquo; Songs of Damien Dempsey (Aileen Dillane, Martin J. Power, Eoin Deverux and Amanda Haynes) / Chapter 29: Bail Out &ndash; From Now to Never &ndash; A Rhetorical Analysis of Two Songs About Economic Crisis (Michael Hajimichael) / Chapter 30: The Cacophony of Critique: New Model Army&rsquo;s Protest Against Neo-Liberal Critique (Tom Boland) / <span style="font-weight:bold;">Ideology and the Performer / Chapter 31: &ldquo;Aesthetics of resistance&rdquo;: Billy Bragg, Ideology, and the Longevity of Song as Social Protest (Martin Power) / Chapter 32: Straight to Hell: The Clash, Left Melancholia and the Politics of Redemption (Colin Coulter) / Chapter 33: The Truth Must Be Told so I&rsquo;ll Tell It: Social Protest and the Folk Song in the Music of Christy Moore (Kieran Cashell) … (more)
- Edition:
- 1st
- Publisher Details:
- London : Rowman & Littlefield International
- Publication Date:
- 2018
- Extent:
- 1 online resource (512 pages)
- Subjects:
- Music: Reference
- Languages:
- English
- ISBNs:
- 9781786601278
1786601273 - Access Rights:
- Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
- Access Usage:
- Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.
- View Content:
- Available online (eLD content is only available in our Reading Rooms) ↗
- Physical Locations:
- British Library HMNTS - ELD.DS.325047
- Ingest File:
- 01_264.xml