Spectatorship and film theory : the wayward spectator /: the wayward spectator. ([2018])

• Record Type: Book
• Further Information: Note: Carlo Comanducci.
• Authors: Comanducci, Carlo
• Contents: Intro; Acknowledgements; Contents; Chapter 1 Introduction: Film Theory, a Divided Passion?; The One Who Turns Around; The Consensual Spectator; What a Spectator Is Not; Bibliography; Chapter 2 The Heteronomy of Subjectivity and the Spectator's Emancipation; Spectatorship as a Discursive Practice; The Ideological Unconscious and the Heteronomous Subject; The Future of Disillusion: Emancipation as a Knowledge Effect; Freud's Horse; The Heteronomous Subject and the Power of Looking on; Spectatorship as Tension; Bibliography; Chapter 3 Everyday Film Theory Film Theory as an Integral Element of Film ExperienceBreaking the Spell of Theory; The Beginnings of Film Theory; The Spectator as Infans; Rancière's Lesson; Free Use; Bibliography; Chapter 4 Situatedness and Contingency of Film Experience; Contingency and Film Theory; Universality and Contingency; Radical Contingency and the Psychoanalytic Subject; Singular Contingency and Extended Spectatorship; If Only a Bat Hadn't Come into the Story; The Inscription of Contingency; Bibliography; Chapter 5 The Process of Free Association and Film as an Evocative Object Psychoanalysis as Discourse and PracticeThe Unconscious and the Mastery of Concepts; The Metapsychological Spectator and the Regime of Interpretation; From Hysteria and "the Great Complex of Associations" to the Interpretation of Dreams; Method and Process of Free Associations; Film as Evocativev Object; Bibliography; Chapter 6 The Indeterminacy of Embodiment; Ontology and the Phenomenological Turn; Non-objectual Embodiment; Discursivity of the Body and Incitation to Discourse; Visibility and the Visual; Embodiment and Contingency; If Only a Fly Hadn't Come into the Body Inaccurate Self-ReplicationsOn Choice and the Benefits of Doubt; Bibliography; Chapter 7 The Spectator as a History of Encounters; Partages de l'ombre; Spectatorship's Light; Afterimages; Man in the Dark; Theory as a Form of Forgetfulness; It Takes Two (to Be Less Than One); Bibliography; Index
• Publisher Details: Cham, Switzerland : Palgrave Macmillan
• Publication Date: 2018
• Copyright Date: 2018
• Extent: 1 online resource
• Subjects: 302.2343; Motion picture audiences; Motion pictures; PSYCHOLOGY / Social Psychology; Philosophy -- Aesthetics; Philosophy: aesthetics; Aesthetics; Performing Arts -- Film & Video -- General; Film theory & criticism; Electronic books
• Languages: English
• ISBNs: 9783319967431; 3319967436
• Related ISBNs: 9783319967424
• Notes: Note: Includes bibliographical references and index.; Note: Vendor-supplied metadata.
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.