DIY cultures and underground music scenes. (2018)

• Record Type: Book
• Further Information: Note: Edited by Andy Bennett, Paula Guerra.
• Editors: Bennett, Andy, 1963-; Guerra, Paula
• Contents: Introduction Andy Bennett and Paul Guerra Part I: Underground Music Scenes between the Local and the Translocal 1. Rethinking DIY Culture in a Post-Industrial and Global Context Andy Bennett and Paula Guerra 2. Visibility and Conviviality in Music Scenes Will Straw 3. Punk Stories Carles Feixa 4. Between Popular and Underground Culture: An Analysis of Bucharest Urban Culture Anda Georgiana Becuț 5. The DIY as a Constitutive Resource of the Specific Punk Capital in France Pierig Humeau 6. Boys in Black, Girls in Punk: Gender Performances in the Goth and Hardcore Punk Scenes in Northern Germany Yvonne Niekrenz Part II: Music and DIY Cultures: DIY or Die! 7. Music, Protest Politics, DIY and Identity in the Basque Country Ion Andoni de Amo Castro 8. Home Economics : Fusing Imaginaries in the Musical Underground of Wellington, New Zealand Katie Rochow 9. Proud Amateurs: Deterritorialized Expertise in Contemporary Finnish DIY Micro-Labels Juho T. Kaitajärvi-Tiekso 10. Noise Records as Noise Culture: DIY Practices, Aesthetics and Trades Sarah Benhaïm 11. Punk Positif: The DIY Ethic and the Politics of Value in the Indonesian Hardcore Punk Scene Sean Martin-Iveson Part III: Art, Music and Technological Change 12. So Far, Yet So Near: The Brazilian DIY Politics of Sofar Sounds – A Collaborative Network for Live Music Audiences Jeder Silveira Janotti Jr and Victor de Almeida Nobre Pires 13. Cassette Cultures in Berlin: Resurgence, DIY Freedom or Sellout? Benjamin Düster and Raphaël Nowak 14. Here Today: The Role of Ephemera in Clarifying Underground Culture John Willsteed 15. Birth of an Underground Music Scene? Creative Networks and (Digital) DIY Technologies in a Hungarian Context Emília Barna Part IV: Music Scenes, Memory and Emotional Geographies 16. The Inoperative Subculture: History, Identity and Avant-Gardism in Garage Rock Daniel S. Traber 17. Collectivity and Individuality in US Free Folk Musics Maximilan Spiegel 18. The Independent Record Label, Ideology and Longevity: Twenty Years of Chemikal Underground Records in Glasgow J. Mark Percival 19. Verbal Sound System (1997–98): Recalling a Raver’s DIY Practices in the British Free Party Counterculture Zoe Armour 20. A Howl of the Estranged: Post-Punk and Contemporary Underground Scenes in Bulgarian Popular Music Asya Draganova and Shane Blackman
• Edition: 1st
• Publisher Details: London : Routledge
• Publication Date: 2018
• Extent: 1 online resource
• Subjects: 781.64; Underground music -- History and criticism; Underground music -- Social aspects
• Languages: English
• ISBNs: 9781351850322; 9781351850339; 9781351850315; 9781315226507
• Related ISBNs: 9780415786980
• Notes: Note: Description based on CIP data; resource not viewed.
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.