Contemporary film music : investigating cinema narratives and composition /: investigating cinema narratives and composition. ([2017])

• Record Type: Book
• Further Information: Note: Lindsay Coleman, Joakim Tillman, editors.
• Editors: Coleman, Lindsay; Tillman, Joakim
• Contents: Acknowledgements; Contents; Notes on Contributors; List of Figures ; Chapter 1: Introduction; Notes; Bibliography; Chapter 2: A.R. Rahman Interview; Chapter 3: The 'Alternate Space' of A.R. Rahman's Film Music; Introduction; Comparative Conventions in Indian and Western Film Music; Aspects of Tonality and Extra-Musical Meaning in Indian and Western Music; Roja, 1992 and Bombay, 1995; Fire, 1996; Slumdog Millionaire, 2008 and 127 Hours, 2010; Conclusion; Notes; Bibliography; Internet; Chapter 4: Zbigniew Preisner Interview Chapter 5: Music by Zbigniew Preisner? Fictional Composers and Compositions in the Kieślowski CollaborationsFictional Music in Theory and Practice; Composing Fiction; The Fictional and the Real; Notes; Bibliography; Chapter 6: Carter Burwell Interview; Chapter 7: Burwell and Space: Inner, Outer, Environmental and Acoustical; Introduction; The Materials; Motive, Acoustical Space, and Place; Narrative Disconnect to Emotional Synchrony: Motive, Image and Affect; Conclusion: Film as Music; Notes; Bibliography; Chapter 8: Rachel Portman Interview Chapter 9: Eero Tarasti and the Narratological Construction of Rachel Portman's EmmaNotes; Bibliography; Chapter 10: Dario Marianelli Interview; Chapter 11: Solo Instruments and Internal Focalization in Dario Marianelli's Pride & Prejudice and Atonement; Pride & Prejudice; Lizzie's Theme; The Secret Life of Daydreams; The Solo Cello in Pride & Prejudice; The Role of the Orchestra; Atonement; 'Elegy for Dunkirk' and the Solo Cello; The Love Theme; Denouement and a Change of Narrative Perspective; Conclusion; Notes; Bibliography; Chapter 12: Mychael Danna Interview Chapter 13: Mychael Danna: Music as MetaphorThe Ice Storm; Moneyball; Life of Pi; Epilogue; Notes; Bibliography; Chapter 14: John Williams and Contemporary Film Music; A Background of Contemporary Hollywood Music; John Williams and Contemporary Hollywood; Notes; Bibliography; Chapter 15: Musical Syntax in John Williams's Film Music Themes; Sentence; Period; Trifold Sentence; Sentence with a Dissolving Third Statement; Unfolding Sentence; Conclusion; Notes; Appendix; Sentence; Sentence with Dissolving Third Statement; Trifold Sentence; Unfolding Sentence; Period; Bibliography; Index
• Publisher Details: London : Palgrave Macmillan
• Publication Date: 2017
• Extent: 1 online resource (xvi, 272 pages)
• Subjects: 781.5/42; Motion picture music -- History and criticism; Music; Motion pictures; MUSIC / Instruction & Study / Theory; Motion picture music; Performing Arts -- Film & Video -- General; Film theory & criticism; Music -- General; Music; Electronic books; Electronic books; Criticism, interpretation, etc
• Languages: English
• ISBNs: 9781137573759; 1137573759; 1137573740; 9781137573742
• Related ISBNs: 9781137573742
• Notes: Note: Includes bibliographical references and index.; Note: Vendor-supplied metadata.
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• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.