Globalization, music and cultures of distinction : the rise of pop music criticism in Italy /: the rise of pop music criticism in Italy. ([2016])
- Record Type:
- Book
- Title:
- Globalization, music and cultures of distinction : the rise of pop music criticism in Italy /: the rise of pop music criticism in Italy. ([2016])
- Main Title:
- Globalization, music and cultures of distinction : the rise of pop music criticism in Italy
- Further Information:
- Note: Simone Varriale.
- Authors:
- Varriale, Simone
- Contents:
- Acknowledgments; Contents; List of Tables; 1: Introduction: How Things Come into Being; Organization of the Book; Bibliography; Part I: Situating the Study; 2: New Forms of Distinction, New Cultural Institutions; New Forms of Cultural Distinction; From Snob to Omnivore; Tolerance or Distinction?; The Rise of Cosmopolitan Taste; New Cultural Institutions: Critics in Popular and Consumer Cultures; The Semi-legitimation of Popular Culture; Measuring Discourses; Causal Analysis; Aesthetic Diversity and Aesthetic Socialization; Music Criticism and Anglo-American Rock; Conclusion The Impact of New Distinctions: Homology and Asymmetries Conclusion; Bibliography; Part II: Pop Music Criticism in Italy (1969-1977); 4: Young, Educated and Cosmopolitan: A New Cultural Institution; A New Space of Possibles: Social and Cultural Change in Post-War Italy; Education and Youth; Cultural Consumption and Social Distinction; Music Production and Consumption; Introducing the Field: Social Trajectories of Critics and Readers; A Shared Commitment: Breaking with Italian Light Music and Culture; The Genesis of Cosmopolitan Dispositions; Conclusion; Bibliography 5: Economic Cosmopolitanism: The Case of Ciao 2001 Economic Autonomy Versus Commercial Success; The Morality of Markets: Converting Commercial Success into Symbolic Capital; Ideological Independence; Professionalism; Social Authenticity; The Democracy of Taste: Mobilizing Cultural Capital; Democracy Versus Distinction; Objectivity and 'AAcknowledgments; Contents; List of Tables; 1: Introduction: How Things Come into Being; Organization of the Book; Bibliography; Part I: Situating the Study; 2: New Forms of Distinction, New Cultural Institutions; New Forms of Cultural Distinction; From Snob to Omnivore; Tolerance or Distinction?; The Rise of Cosmopolitan Taste; New Cultural Institutions: Critics in Popular and Consumer Cultures; The Semi-legitimation of Popular Culture; Measuring Discourses; Causal Analysis; Aesthetic Diversity and Aesthetic Socialization; Music Criticism and Anglo-American Rock; Conclusion The Impact of New Distinctions: Homology and Asymmetries Conclusion; Bibliography; Part II: Pop Music Criticism in Italy (1969-1977); 4: Young, Educated and Cosmopolitan: A New Cultural Institution; A New Space of Possibles: Social and Cultural Change in Post-War Italy; Education and Youth; Cultural Consumption and Social Distinction; Music Production and Consumption; Introducing the Field: Social Trajectories of Critics and Readers; A Shared Commitment: Breaking with Italian Light Music and Culture; The Genesis of Cosmopolitan Dispositions; Conclusion; Bibliography 5: Economic Cosmopolitanism: The Case of Ciao 2001 Economic Autonomy Versus Commercial Success; The Morality of Markets: Converting Commercial Success into Symbolic Capital; Ideological Independence; Professionalism; Social Authenticity; The Democracy of Taste: Mobilizing Cultural Capital; Democracy Versus Distinction; Objectivity and 'A Minimum of Artistic Dignity'; Praising the Cosmopolitan Cultural Economy; Conclusion; Bibliography; 6: Political Cosmopolitanism: The Case of Muzak and Gong; The Era of Collective Action: Fields, Actors and Events Activism in the Musical and Cultural Field Pop Music Criticism and the Genesis of Political Engagement; Organizational Breaks and the Struggle Over Youth; The Impact of Political Struggles; Cultural Capital as a Political Resource: The Strategies of Muzak and Gong; The Politics of Music; Musical Politics; Economic Power and Political Engagement: The Strategy of Ciao 2001; Conclusion; Bibliography; Part III: Evaluating Music and Music Criticism; 7: Aesthetic Encounters: Evaluating Rock, Jazz and Soul; Highbrow and Popular Criteria of Evaluation; Pop-Rock and the Politics of Memory … (more)
- Publisher Details:
- London : Palgrave Macmillan
- Publication Date:
- 2016
- Extent:
- 1 online resource
- Subjects:
- 781.640945
Political science
Popular music -- Italy -- History and criticism
Musical criticism
Musical analysis
MUSIC / Instruction & Study / Theory
Musical analysis
Musical criticism
Popular music
Music -- General
Social Science -- Sociology -- General
Music
Social issues & processes
Globalization
Music
Political Science -- Globalization
Globalization
Italy
Electronic books
Criticism, interpretation, etc - Languages:
- English
- ISBNs:
- 9781137564504
1137564504
1137564490
9781137564498
9781349850303
1349850306 - Related ISBNs:
- 9781137564498
- Notes:
- Note: Includes bibliographical references and index.
Note: Online resource; title from PDF title page (EBSCO, viewed August 22, 2016). - Access Rights:
- Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
- Access Usage:
- Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.
- View Content:
- Available online (eLD content is only available in our Reading Rooms) ↗
- Physical Locations:
- British Library HMNTS - ELD.DS.302720
- Ingest File:
- 01_225.xml