Digital participatory culture and the TV audience : everyone's a critic /: everyone's a critic. (2016)
- Record Type:
- Book
- Title:
- Digital participatory culture and the TV audience : everyone's a critic /: everyone's a critic. (2016)
- Main Title:
- Digital participatory culture and the TV audience : everyone's a critic
- Further Information:
- Note: Sandra M. Falero.
- Authors:
- Falero, Sandra M
- Contents:
- Acknowledgments; Contents; List of Figures ; List of Tables; Introduction: Democratizing Criticism; The Collision of Old and New Media Forms; Notes ; Chapter 1: "Meet Market": The Attraction of a Place Without Pity; The Birth of Television Without Pity; Key Aspects of the Site's Design; The Moderator's Heavy Hand; Independence from the Networks; Studying Television Without Pity; Conclusion; Chapter 2: "The Industry": A Brief History of Audiences In and Out of Control; The Epistolary Novel, Psychological Identification, and the Emergence of Human Rights The Fear of the Active Audience: Theater and Public Performance in the Nineteenth Century The Fear of the Passive Audience: Film Audiences; Film Audiences and the Hays Code; The Boob in Front of the Tube: Television Audiences; Violent Media and the Moral Panic of the 1990s; Conclusion; Chapter 3: "Give Pete a Line": Participatory Television and the TWoP Community; A Direct Line to the "Powers That Be"; The Smallville Message Boards; Collective Intelligence; Personal Connections; Conclusion; Chapter 4: "Sorkin Situations": The Television Auteur Meets the Digital Age Who's in Charge Here? The Role of the Author in Western Art and Philosophy; Copyright and Authorship; The Television Auteur; The Sorkin Debacle and Authorial Control; The Internet and the Democratization of Criticism; Conclusion; Chapter 5: "Shows You Hate (But Watch Anyway)": The Dark Side of Online Criticism; The New Media Landscape; Real World Anti-fans Meet TheAcknowledgments; Contents; List of Figures ; List of Tables; Introduction: Democratizing Criticism; The Collision of Old and New Media Forms; Notes ; Chapter 1: "Meet Market": The Attraction of a Place Without Pity; The Birth of Television Without Pity; Key Aspects of the Site's Design; The Moderator's Heavy Hand; Independence from the Networks; Studying Television Without Pity; Conclusion; Chapter 2: "The Industry": A Brief History of Audiences In and Out of Control; The Epistolary Novel, Psychological Identification, and the Emergence of Human Rights The Fear of the Active Audience: Theater and Public Performance in the Nineteenth Century The Fear of the Passive Audience: Film Audiences; Film Audiences and the Hays Code; The Boob in Front of the Tube: Television Audiences; Violent Media and the Moral Panic of the 1990s; Conclusion; Chapter 3: "Give Pete a Line": Participatory Television and the TWoP Community; A Direct Line to the "Powers That Be"; The Smallville Message Boards; Collective Intelligence; Personal Connections; Conclusion; Chapter 4: "Sorkin Situations": The Television Auteur Meets the Digital Age Who's in Charge Here? The Role of the Author in Western Art and Philosophy; Copyright and Authorship; The Television Auteur; The Sorkin Debacle and Authorial Control; The Internet and the Democratization of Criticism; Conclusion; Chapter 5: "Shows You Hate (But Watch Anyway)": The Dark Side of Online Criticism; The New Media Landscape; Real World Anti-fans Meet The Real World Cast; "Fan-tagonism" and the Buffy the Vampire Slayer Boards; Conclusion; Chapter 6: "Network Interference": Policing Conversation and Political Discourse; Politics on the Internet; Rules for Polite Behavior When the Talk Turns to Politics The "TV Potluck" Boards; Unasked Questions; Conclusion; Chapter 7: "Permanent Hiatus": The Death of Television Without Pity; The Bravo Deal; NBCUniversal's Changes; Pulling the Plug; Rebirth at Previously.tv and the New Internet; Conclusion; Conclusion; Learning from Television Without Pity; Limitations of the Study; Appendix; Survey and Interview Questions; Interviewee Statistics; List of Message Boards Visited Most Frequently for the Study, 2000-2010; Television Without Pity Site-wide Statistics; Bibliography; Index … (more)
- Publisher Details:
- London : Palgrave Macmillan
- Publication Date:
- 2016
- Copyright Date:
- 2016
- Extent:
- 1 online resource (xxiv, 191 pages)
- Subjects:
- 303.4833
Information technology -- Social aspects
Television viewers -- Attitudes
Online social networks
Popular culture
Social media
Motion pictures and television
Ethnography
SOCIAL SCIENCE / General
Information technology -- Social aspects
Online social networks
Popular culture
Television viewers -- Attitudes
Performing Arts -- General
Social Science -- General
Language Arts & Disciplines -- Library & Information Science -- General
Social Science -- Anthropology -- General
Film, TV & radio
Cultural studies
Literature: history & criticism
Social & cultural anthropology, ethnography
Social Science -- Media Studies
Media studies
USA
Electronic books - Languages:
- English
- ISBNs:
- 9781137500007
1137499990
9781137499998 - Related ISBNs:
- 113750000X
9781137499998 - Notes:
- Note: Includes bibliographical references and index.
Note: Online resource; title from PDF title page (EBSCO, viewed August 18, 2016) - Access Rights:
- Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
- Access Usage:
- Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.
- View Content:
- Available online (eLD content is only available in our Reading Rooms) ↗
- Physical Locations:
- British Library HMNTS - ELD.DS.300767
- Ingest File:
- 02_329.xml