Reframing immersive theatre : the politics and pragmatics of participatory performance /: the politics and pragmatics of participatory performance. (2017)
- Record Type:
- Book
- Title:
- Reframing immersive theatre : the politics and pragmatics of participatory performance /: the politics and pragmatics of participatory performance. (2017)
- Main Title:
- Reframing immersive theatre : the politics and pragmatics of participatory performance
- Further Information:
- Note: Edited by James Frieze.
- Editors:
- Frieze, James, 1967-
- Contents:
- Notes ; Contents; Notes on Contributors; List of Figures ; Chapter 1: Reframing Immersive Theatre: The Politics and Pragmatics of Participatory Performance; Critiquing Engagement Within and Beyond the Immersive Event; More than Representation? Navigating the Immersive Event; Note; Part I: Participant as Co-designer: Critical Reflections; Chapter 2: On Being Immersed: The Pleasure of Being: Washing, Feeding, Holding; 'A Scale of Immersivity': Defining Features; Experiential Practice and Embodied Analysis; Being Through Being Touched by Touching; A Shared Responsibility Contracts, Space, Sensual Scenography…Bodies, Senses, Time…; Space, Duration, Bodies…; Conclusion: Experiencing the Epic in an Intimate Immersive Encounter; Notes; Chapter 3: In the Body of the Beholder: Insider Dynamics and Extended Audiencing Transform Dance Spectatorship in Sleep No More; Embodying Dance Spectatorship Through Postmodernist Dance Practices; Facilitating Affective Engagement in SNM Through Insider Dynamics; Complicity; Ushered Across the Threshold; Porosity; Lady Macbeth and Her Mistaken Consort; Contagion; Unmoored by Macbeth; Inclusion; The Candy Man Extended Audiencing Amplifies Dance SpectatorshipFinal Thoughts on Curating Identity Through Choreographed Spectatorship; Notes; Chapter 4: Troubling Bodies in Follow the North Star; Notes; Chapter 5: Experiencing Michael Mayhew's Away in a Manger: Spectatorial Immersion in Durational Performance; Notes; Chapter 6: Integrating Realities ThroughNotes ; Contents; Notes on Contributors; List of Figures ; Chapter 1: Reframing Immersive Theatre: The Politics and Pragmatics of Participatory Performance; Critiquing Engagement Within and Beyond the Immersive Event; More than Representation? Navigating the Immersive Event; Note; Part I: Participant as Co-designer: Critical Reflections; Chapter 2: On Being Immersed: The Pleasure of Being: Washing, Feeding, Holding; 'A Scale of Immersivity': Defining Features; Experiential Practice and Embodied Analysis; Being Through Being Touched by Touching; A Shared Responsibility Contracts, Space, Sensual Scenography…Bodies, Senses, Time…; Space, Duration, Bodies…; Conclusion: Experiencing the Epic in an Intimate Immersive Encounter; Notes; Chapter 3: In the Body of the Beholder: Insider Dynamics and Extended Audiencing Transform Dance Spectatorship in Sleep No More; Embodying Dance Spectatorship Through Postmodernist Dance Practices; Facilitating Affective Engagement in SNM Through Insider Dynamics; Complicity; Ushered Across the Threshold; Porosity; Lady Macbeth and Her Mistaken Consort; Contagion; Unmoored by Macbeth; Inclusion; The Candy Man Extended Audiencing Amplifies Dance SpectatorshipFinal Thoughts on Curating Identity Through Choreographed Spectatorship; Notes; Chapter 4: Troubling Bodies in Follow the North Star; Notes; Chapter 5: Experiencing Michael Mayhew's Away in a Manger: Spectatorial Immersion in Durational Performance; Notes; Chapter 6: Integrating Realities Through Immersive Gaming; Perversity, Threat, and Affectation; Permeable Frame, Practical Potential; Chapter 7: Negotiating the Possible Worlds of Uninvited Guests' Make Better Please: A Hypertextual Experience; Make Better Please; Conclusion Chapter 8: Outdoors: A Rimini Protokoll Theatre-MazeThe Techno-Ventriloquist: A Theatre-Maze Companion; The Ethics of Co-design; Conclusion: Outdoors as Immersive Enquiry; Chapter 9: Immersed in Sound: Kursk and the Phenomenology of Aural Experience; Note; Part II: Facilitating Immersive Performance: Ethics and Practicalities; Chapter 10: Reflections on Immersion and Interaction; Definitions; Implicit and Explicit Why; Control; Exploitation; Pushing Further; Chapter 11: Caravania!: Intimacy and Immersion for Family Audiences; Notes Chapter 12: A Dramaturgy of Participation: Participatory Rituals, Immersive Environments, and Interactive Gameplay in Hotel MedeaMaking Hotel Medea; Audience Behaviour; Actor Training; Hosts and Guests; Micro-Events; A Dramaturgy of Participation in Hotel Medea; Chapter I: Zero Hour Market; 00:00 h; 00:40 h, the Wedding Preparation; Chapter II: Drylands; 02:00 h, Children's Bedroom; 02:00 h, Jason's Campaign Room; Chapter III: Feast of Dawn; 05:00 h, The Cupboards; 05:30 h, The Shrine; Conclusion; Chapter 13: She Wants You to Kiss Her: Negotiating Risk in the Immersive Theatre Contract … (more)
- Publisher Details:
- London : Springer Science and Business Media Palgrave Macmillan
- Publication Date:
- 2017
- Extent:
- 1 online resource
- Subjects:
- 700
Culture-Study and teaching
Performance
Theater
Performance -- Political aspects
ART / Performance
ART / Reference
Social Science -- Media Studies
Social Science -- General
Media studies
Cultural studies
Performing arts
Communication
Performing Arts -- General
Dance & other performing arts
Electronic books - Languages:
- English
- ISBNs:
- 9781137366047
1137366044 - Related ISBNs:
- 9781137366030
1137366036 - Notes:
- Note: Vendor-supplied metadata.
- Access Rights:
- Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
- Access Usage:
- Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.
- View Content:
- Available online (eLD content is only available in our Reading Rooms) ↗
- Physical Locations:
- British Library HMNTS - ELD.DS.294125
- Ingest File:
- 01_212.xml