Histories on screen : the past and present in Anglo-American cinema and television /: the past and present in Anglo-American cinema and television. (2018)
- Record Type:
- Book
- Title:
- Histories on screen : the past and present in Anglo-American cinema and television /: the past and present in Anglo-American cinema and television. (2018)
- Main Title:
- Histories on screen : the past and present in Anglo-American cinema and television
- Further Information:
- Note: Edited by Michael Dolski, Sam Edwards and Faye Sayer.
- Editors:
- Dolski, Michael, 1978-
Edwards, Sam, 1981-
Sayer, Faye - Contents:
- Machine generated contents note: -- Notes on contributors -- Acknowledgements -- Introduction -- Part One: Thinking about Film and Television -- 1. The Moving Image as Primary Source: Author, Text and Context Michael Dolski, JPAC Central Identification Laboratory, USA -- 2. The Moving Image as A Secondary Source: Truth, Authenticity and Narrative Faye Sayer, Manchester Metropolitan University, UK -- 3. The Moving Image as Memory: Past and Present on Screen Sam Edwards, Manchester Metropolitan University, UK -- Part Two: Using Film and Television: Case Studies -- The Lens of History: Race, Class and Gender on Screen: -- 4. CASE STUDY: 'The Way We Are': Class and Britishness on Film Marcus Morris, Manchester Metropolitan University, UK -- 5. CASE STUDY: Were Fires Started? Exploring Gender in British Cinema of the Second World War Corinna Penniston-Bird, Lancaster University, UK -- 6. CASE STUDY: Screening Multicultural Britain: Blair, Britishness and Bend it Like Beckham Sarah Ilot, Teeside University, UK -- 7. CASE STUDY: Mammy, Mandingo, Django and Solomon: A Century of American Slavery in Cinema from Uncle Tom's Cabin to Twelve Years a Slave Lydia Plath, Canterbury Christ Church University, UK -- Reel Life and Real Life: Documenting and Narrating the Past: -- 8. CASE STUDY: The Empire at the Movies: India in Newsreels, c. 1911 to 1947 Tilman Frasch, Manchester Metropolitan University, UK -- 9. CASE STUDY: Truth and the Tudors: Screening and Interpreting the Early ModernMachine generated contents note: -- Notes on contributors -- Acknowledgements -- Introduction -- Part One: Thinking about Film and Television -- 1. The Moving Image as Primary Source: Author, Text and Context Michael Dolski, JPAC Central Identification Laboratory, USA -- 2. The Moving Image as A Secondary Source: Truth, Authenticity and Narrative Faye Sayer, Manchester Metropolitan University, UK -- 3. The Moving Image as Memory: Past and Present on Screen Sam Edwards, Manchester Metropolitan University, UK -- Part Two: Using Film and Television: Case Studies -- The Lens of History: Race, Class and Gender on Screen: -- 4. CASE STUDY: 'The Way We Are': Class and Britishness on Film Marcus Morris, Manchester Metropolitan University, UK -- 5. CASE STUDY: Were Fires Started? Exploring Gender in British Cinema of the Second World War Corinna Penniston-Bird, Lancaster University, UK -- 6. CASE STUDY: Screening Multicultural Britain: Blair, Britishness and Bend it Like Beckham Sarah Ilot, Teeside University, UK -- 7. CASE STUDY: Mammy, Mandingo, Django and Solomon: A Century of American Slavery in Cinema from Uncle Tom's Cabin to Twelve Years a Slave Lydia Plath, Canterbury Christ Church University, UK -- Reel Life and Real Life: Documenting and Narrating the Past: -- 8. CASE STUDY: The Empire at the Movies: India in Newsreels, c. 1911 to 1947 Tilman Frasch, Manchester Metropolitan University, UK -- 9. CASE STUDY: Truth and the Tudors: Screening and Interpreting the Early Modern Era Jonathan Spangler, Manchester Metropolitan University, UK -- 10. CASE STUDY: Hollywood Musicals Make History Nick Gebhardt, Birmingham City University, UK -- 11. CASE STUDY: 'Moving' Images: Educational Uses of D-Day Imagery Michael Dolski, JPAC Central Identification Laboratory, USA -- Part 3: Making Memory and Identity: The Politics and Purpose of Film and TV -- 12. CASE STUDY: 'We Can Be Heroes': Superhero Films and American National Identity Michael Goodrum, University of Essex, UK -- 13. CASE STUDY: 'We Will Remember Them?': Film, Television, and the First World War in British Memory Sam Edwards, Manchester Metropolitan University, UK -- 14. CASE STUDY: Presenting the Past: New Directions in Television History Nicola Bishop, Manchester Metropolitan University, UK -- References -- Filmography -- Bibliography -- Index. … (more)
- Publisher Details:
- New York : Bloomsbury Academic
- Publication Date:
- 2018
- Extent:
- 1 online resource
- Subjects:
- 791.43/658
British & Irish history
History in motion pictures
History on televison
Motion pictures -- United States
Motion pictures -- Great Britain
Television -- United States
Television -- Great Britain
HISTORY -- General
HISTORY -- Europe -- Great Britain
HISTORY -- United States -- General
PERFORMING ARTS / Reference
Film: styles & genres
History: theory & methods
History -- General
History -- Europe -- Great Britain
History -- United States -- General
Electronic books - Languages:
- English
- ISBNs:
- 9781474217057
1474217052
1474217060
9781474217064 - Related ISBNs:
- 9781474217040
1474217044
9781474217033
1474217036
9781474217064 - Notes:
- Note: Print version record.
- Access Rights:
- Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
- Access Usage:
- Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.
- View Content:
- Available online (eLD content is only available in our Reading Rooms) ↗
- Physical Locations:
- British Library HMNTS - ELD.DS.236814
- Ingest File:
- 01_153.xml