Adaptation in visual culture : images, texts, and their multiple worlds /: images, texts, and their multiple worlds. (2017)

• Record Type: Book
• Further Information: Note: Edited by Julie Grossman, R. Barton Palmer.
• Editors: Grossman, Julie, 1962-; Palmer, R. Barton, 1946-
• Contents: 1. Constantine Verevis, 'Film Novelization'.- 2. Laurence Raw, "What Can Adaptation Studies Learn from Fan Studies?".- 3. Glenn Jellenik, 'The Task of the Adaptation Critic'.- 4. Thomas Leitch, 'Mind the Gaps'.- 5. R. Barton Palmer, 'Continuation, Adaptation Studies, and the Never-Finished Text'.- 6. Kamilla Elliott 'Unfilmable Books.'.- 7. Sarah Cardwell, 'A Dickensian Feast: Visual Culture and Television Aesthetics'.- 8. Deborah Cartmell, 'Star Adaptations: Queen Biopics of the 1930s'.- 9. Jack Boozer, 'Between a Sequel and a Market Crash: Wall Street: Money Never Sleeps'.- 10. Christine Geraghty, 'Dissolving Media Boundaries: The Interaction of Literature, Film and Television in Tender is the Night (1985)'.- 11. Julie Grossman, 'Fargos'.- 12. Mark Osteen, "Alfred in Wonderland: Hitchcock through the Looking-Glass" .- 13. Homer B. Pettey, "Japanese Avant-garde and the moga ('modern girl')".- 14. Nancy West, 'The Worlds of Downton Abbey'.
• Publisher Details: Basingstoke, Hampshire : Palgrave Macmillan
• Publication Date: 2017
• Extent: 1 online resource, illustrations (colour)
• Subjects: 809; Literature -- Adaptations; Film adaptations; Television adaptations
• Languages: English
• ISBNs: 9783319585802
• Related ISBNs: 9783319585796
• Notes: Note: Description based on CIP data; resource not viewed.
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.