The Routledge companion to new cinema history. (2017)

• Record Type: Book
• Further Information: Note: Edited by Daniël Biltereyst, Richard Maltby, Philippe Meers.
• Editors: Biltereyst, Daniël, 1962-; Jr, Maltby, Richard, 1937-; Meers, Philippe
• Contents: Introduction: The scope of new cinema history, Daniel Biltereyst, Richard Maltby and Philippe Meers PART 1. Reflections and comments Introduction: the scope of new cinema history, Daniel Biltereyst, Richard Maltby, and Philippe Meers PART I. Reflections and comments Introduction 1. Connections, intermediality, and the anti-archive: a conversation with Robert C. Allen, Richard Maltby and Philippe Meers 2. Film history, cultural memory, and the experience of cinema: a conversation with Annette Kuhn, Daniel Biltereyst 3. How I became a new cinema historian, Melvyn Stokes 4. The subject of history and the clutter of phenomena, John Caughie 5. The new nontheatrical cinema history?, Gregory A. Waller PART II. Challenges and opportunities Introduction 6. Reading newspapers and writing American silent cinema history, Richard Abel 7. Arclights and zoom lenses: searching for influential exhibitors in film history’s big data, Eric Hoyt 8. Comparing historical cinema cultures: reflections on new cinema history and comparison with a cross-national case study on Antwerp and Rotterdam, Daniel Biltereyst, Thunnis van Oort and Philippe Meers 9. The archaeology of itinerant film exhibition: unpacking the Brinton Entertainment Company Collection, Kathryn Fuller-Seeley 10. Cinema history as social history: retrospect and prospect, Judith Thissen PART III. Distribution and trade Introduction 11. Early film stars in trade journals and newspapers: data-based research on global distribution and local exhibition, Martin Loiperdinger 12. The high stakes conflict between the Motion Picture Export Association and the Netherlands Cinema Association 1945-1946, Clara Pafort-Overduin and Douglas Gomery 13. "Perhaps everyone has forgotten just how pictures are shown to the public": continuous performance and double billing in the 1930s, Richard Maltby 14. "When in doubt, Showcase": The rise and fall of United Artists’ revolutionary New York distribution pattern, Zoë Wallin 15. When distributors’ trash becomes exhibitors’ treasure: rethinking film success and failure, Dean Brandum, Bronwyn Coate, and Deb Verhoeven PART IV. Exhibition, place and space Introduction 16. Roll the credits: gender, geography, and the people’s history of cinema, Jeffrey Klenotic 17. Three moments of cinema exhibition, Mike Walsh, Richard Maltby, and Dylan Walker 18. Currents of empire: transport, electricity, and early film exhibition in colonial Indonesia, Dafna Ruppin 19. Remembering the first movie theatres and early cinema exhibition in Quay, Smyrna, Turkey, Dilek Kaya 20. Exhibiting films in a predominantly Mexican American market: the case of Laredo, Texas, a small USA-Mexico border town, 1896-1960, José Carlos Lozano PART V. Programming, popularity, and film Introduction 21. Popular filmgoing in mid-1950s Milan: opening up the ‘black box’, John Sedgwick and Marina Nicoli 22. Distribution and exhibition in Warner Bros. Philadelphia Theaters, 1935-1936, Catherine Jurca 23. To be continued…: seriality, cyclicality and the new cinema history, Tim Snelson 24. Kino-barons and noble minds: specifics of film exhibition beyond commercial entertainment, Lucie Česálková 25. When the history of moviegoing is a history of movie watching, then what about the films?, Frank Kessler and Sabine Lenk 26. The evergreens and mayflies of film history: the age distribution of films in exhibition, Karel Dibbets PART VI. Audiences, reception, and cinemagoing experiences Introduction 27. Analysing memories through video-interviews: a case study of post-war Italian cinemagoing, Daniela Treveri Gennari, Silvia Dibeltulo, Danielle Hipkins, and Catherine O’Rawe 28. Social sense and embodied sensibility: towards a historical phenomenology of filmgoing, Stephen Putnam Hughes 29. "It Pays to Plan ’em!": the newspaper movie directory and the paternal logic of mass onsumption, Paul S. Moore 30. Why young people still go to the movies: historical and contemporary cinemagoing audiences in Belgium, Liesbet Van de Vijver 31. For many but not for all: Italian film history and the circumstantial value of audience studies, Mariagrazia Fanchi
• Edition: 1st
• Publisher Details: London : Routledge
• Publication Date: 2017
• Extent: 1 online resource
• Subjects: 791.4309; Motion pictures -- History
• Languages: English
• ISBNs: 9781317353959; 9781317353966; 9781317353942; 9781315666051
• Related ISBNs: 9781138955844
• Notes: Note: Description based on CIP data; resource not viewed.
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.