Socially engaged art after socialism : art and civil society in Central and Eastern Europe /: art and civil society in Central and Eastern Europe. (2017)

• Record Type: Book
• Other Titles: Art and civil society in Central and Eastern Europe
• Further Information: Note: Izabel Galliera.
• Authors: Galliera, Izabel
• Contents: Cover; Author bio; Endorsements; Title page; Copyright information; Contents; List of illustrations; Acknowledgements; Introduction; Within and Beyond the Borders of Bulgaria, Hungary and Romania; Subversive Potential in Social Capital; Politics of Socially Engaged Art in CEE; Research Methodologies and Significance; 1 Points of Contention: Socially Engaged Art Practice in Contemporary Theory; 2 Civil Society, and Social, Cultural and Political Capital; Civil Society; Social, Cultural and Political Capital; 3 Historical Antecedents: Participatory Art under Socialism, 1956-89 Socially Engaged Art in Socialist HungaryParticipatory Art in Socialist Romania; Unconventional Art in Socialist Bulgaria; Part I From Second Society to Civil Society; 4 Civil Society in a Period of Post-Socialist Transition; 5 Antipolitics: Exhibitions at the Soros Centres for Contemporary Art; Reclaiming Public Life through Interventionist Public Art; Curatorial Visions: Framing Community-Oriented Art Projects; Soros Centres for Contemporary Arts: Constraint and Self-Determination; 6 Sofia: Participatory Public Art and Emerging Contemporary Art Institutions Friendship Networks in Post-1989 Emerging Art Institutions for Contemporary ArtPart II From Localized Public Sites To EU Transnational Public Spheres; 7 Place-Making: Framing Art in Public Spaces Curatorially; Moszkva Tér (Gravitacio) / Moscow Square (Gravitation); Visual Seminar; Spațiul Public București / Public Art Bucharest; Catching Up to Europe with Culture; 8 Representing Counterpublics in Bucharest, Budapest and Sofia; h.arta: Undermining Curatorial Protocols in Self-Organizing Collaborative Projects; János Sugár: Staging Confrontation in Participatory Public Art Luchezar Boyadjiev: Roma Counterpublic Art Monuments in SofiaIvan Moudov: Performing a Museum of Contemporary Art through Collective Participation; 9 Contesting the Politics of Belonging in the Post-1989 EU Community; About the Artists: Bejenaru and Big Hope; 'Mental Maps' in 'Fortress Europe'; The Power of the Gaze; Constructing Differential Spaces through Social Capital and Political Capital; Part III Institutionalized and Institutionalizing; 10 Institutionalized Community Arts Programmes; Art for Social Change: Bypassing Systemic Causes CARTier: Cultivating Self-Help through Art in Marginalized CommunitiesParticipation and Collaboration as Apolitical Strategies of Engagement; 11 Big Hope: Reviving Leftist Activism in Budapest; Hungarian Cultural Institutions: Stage for Populist Right-Wing Narratives; Big Hope and Homelessness; Disobbedienti; In and Out of Institutions; 12 Self-Institutionalizing as Political Agency; From DINAMO to IMPEX: Expanding Institutional Framing; Department of Art in Public Space: Challenging the Left's Official Condemnation; 0GMS's Self-Institutionalization
• Publisher Details: London New York, NY : I.B. Tauris & Co. Ltd
• Publication Date: 2017
• Extent: 1 online resource (xx, 361 pages), illustrations
• Subjects: 700.1/03; Art -- Political aspects -- Europe, Eastern; Art -- Political aspects -- Europe, Central; Social movements in art; Social practice (Art); Communism and art -- Europe, Eastern; Communism and art -- Europe, Central; Socialism and art -- Europe, Eastern; Socialism and art -- Europe, Central; Art -- Political aspects; Communism and art; Social movements in art; Social practice (Art); Socialism and art; ART / Performance; ART / Reference; Europe, Central; Europe, Eastern; Electronic books
• Languages: English
• ISBNs: 9781786722225; 1786722224
• Related ISBNs: 9781784537135; 1784537136; 9781786732224
• Notes: Note: Includes bibliographical references and index.; Note: Print version record.
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.