Sites of popular music heritage : memories, histories, places /: memories, histories, places. (2014)
- Record Type:
- Book
- Title:
- Sites of popular music heritage : memories, histories, places /: memories, histories, places. (2014)
- Main Title:
- Sites of popular music heritage : memories, histories, places
- Further Information:
- Note: Edited by Sara Cohen, Robert Knifton, Marion Leonard, Les Roberts.
- Other Names:
- Cohen, Sara 1961- editor of compilation.
Knifton, Robert editor of compilation.
Leonard, Marion 1970- editor of compilation.
Roberts, Les 1966- editor of compilation. - Contents:
- Introduction Sara Cohen, Robert Knifton, Marion Leonard, and Les Roberts Part I: Problematizing Popular Music Heritage 1. Locating Popular Music Heritage Sara Cohen, Robert Knifton, Marion Leonard, and Les Roberts 2. Popular Music and the ‘Problem’ of Heritage Andy Bennett 3. How to Write the History of Rock… Seen from a French Perspective Philippe Le Guern Part II: Mapping, Music, and Memory 4. "Just listen?" The Politics of ‘Race’ in Liverpool Popular Music Heritage Brett Lashua 5. "Still here?": A Geospatial Survey of Welsh-language Popular Music Craig Owen Jones 6. Toward a Geosonic Mapping of a "Better Past" – (Re)Inscribing a Popular Music Site onto the Map of Zagreb Mojca Piškor Part III: Archives and Virtual Sites of Memory 7. Online Archival Practice and Virtual Sites of Musical Memory Jez Collins and Paul Long 8. Locating the "Bristol Sound": Archiving Music as Everyday Life Michelle Henning and Rehan Hyder 9. "It may be garbage, but it’s not for us to say": Memory, Anxiety and Preserving Popular Music’s Material Culture in Amateur Archives and Museums Alison Huber and Sarah Baker 10. Vulnerable Objects: The Music of the Women’s Liberation Movement Deborah Withers Part IV: Nostalgia and Heritage Practices 11. "You Had To Be There": Memories of the Glasgow Apollo Audience Kenneth Forbes 12. "It was exactly the same as 1000 other rooms above pubs that I’ve been in during my life time": The Live Music Space as Heritage Object Rob Horrocks 13. Sounds Familiar? MuseumIntroduction Sara Cohen, Robert Knifton, Marion Leonard, and Les Roberts Part I: Problematizing Popular Music Heritage 1. Locating Popular Music Heritage Sara Cohen, Robert Knifton, Marion Leonard, and Les Roberts 2. Popular Music and the ‘Problem’ of Heritage Andy Bennett 3. How to Write the History of Rock… Seen from a French Perspective Philippe Le Guern Part II: Mapping, Music, and Memory 4. "Just listen?" The Politics of ‘Race’ in Liverpool Popular Music Heritage Brett Lashua 5. "Still here?": A Geospatial Survey of Welsh-language Popular Music Craig Owen Jones 6. Toward a Geosonic Mapping of a "Better Past" – (Re)Inscribing a Popular Music Site onto the Map of Zagreb Mojca Piškor Part III: Archives and Virtual Sites of Memory 7. Online Archival Practice and Virtual Sites of Musical Memory Jez Collins and Paul Long 8. Locating the "Bristol Sound": Archiving Music as Everyday Life Michelle Henning and Rehan Hyder 9. "It may be garbage, but it’s not for us to say": Memory, Anxiety and Preserving Popular Music’s Material Culture in Amateur Archives and Museums Alison Huber and Sarah Baker 10. Vulnerable Objects: The Music of the Women’s Liberation Movement Deborah Withers Part IV: Nostalgia and Heritage Practices 11. "You Had To Be There": Memories of the Glasgow Apollo Audience Kenneth Forbes 12. "It was exactly the same as 1000 other rooms above pubs that I’ve been in during my life time": The Live Music Space as Heritage Object Rob Horrocks 13. Sounds Familiar? Museum Exhibitions of Popular Music as Sites of Nostalgia Rob Knifton and Marion Leonard 14. The Remembering: Heritage-Work in Progressive Rock Festivals at the Turn of This Century Tim Dowd Part V: Pilgrimage and Sacred Sites 15. Pilgrimage, Place, and Preservation: The Real and Imagined Geography of the Grateful Dead in Song, on Tour, and in Cyberspace John V. Ward 16. Putting the Psycho in Psycho-geography: Tom Vague's Musical History of Notting Hill Alex Lawrey 17. Unveiling Memory: Blue Plaques as (In)tangible Markers of Popular Music Heritage Sara Cohen and Les Roberts 18. Why I Didn’t 'Go Down to the Delta': The Cultural Politics of Blues Tourism Mark Duffett … (more)
- Publisher Details:
- Place of publication not identified : Routledge
- Publication Date:
- 2014
- Extent:
- 1 online resource (274 pages), (13 illustrations)
- Subjects:
- 306.4842
MUSIC / General
Musicology
Popular music -- Social aspects
Popular music -- History and criticism
ART / Museum Studies - Languages:
- English
- ISBNs:
- 9781134103256
1134103255 - Access Rights:
- Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
- Access Usage:
- Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.
- View Content:
- Available online (eLD content is only available in our Reading Rooms) ↗
- Physical Locations:
- British Library HMNTS - ELD.DS.161597
- Ingest File:
- 02_120.xml