Cultures of the sublime selected readings, 1750-1830 /: selected readings, 1750-1830. (2011)

• Record Type: Book
• Further Information: Note: Edited by Cian Duffy and Peter Howell.
• Other Names: Duffy, Cian; Howell, Peter, 1973-
• Contents: Cover; Contents; 1 Mountains; 1.1 from Jean Jacques Rousseau, Julie, or, the New Héloïse (1761); 1.2 from Patrick Brydone, A Tour through Sicily and Malta (1774); 1.3 from Marc Bourrit, Relation of a Journey (1775); 1.4 from Horace Bénédict de Saussure, Voyages dans les Alpes (1779-96); 1.5 from Louis Ramond de Carbonnières, 'Observations on the Glaciers' (1781); 1.6 from Henry Swinburne, Travels in the Two Sicilies (1790); 1.7 from Madame de Staël, Corinna, or Italy (1807); 1.8 from George Wilson Bridges, Alpine Sketches (1814); 1.9 from Humphry Davy, 'Mont Blanc' (1814). 1.10 from John Chetwode Eustace, A Classical Tour through Italy (1817)1.11 from Samuel Glover, A Description of the Valley of Chamouni (1819); 1.12 from William Hazlitt, Notes of a Journey (1826); 1.13 from John Auldjo, Sketches of Vesuvius (1832); 2 Money; 2.1 from Anon., The Necessity of Lowering Interest (1750); 2.2 from David Hume, 'Of Commerce' (1752); 2.3 from The London Chronicle (December 1760); 2.4 from Thomas Mortimer, Every Man His Own Broker (1761); 2.5 from Richard Price, 'Of Public Credit and National Debt' (1771); 2.6 from Adam Smith, Inquiry into ... the Wealth of Nations (1776). 2.7 from The Morning Chronicle (January 1795)2.8 from Edmund Burke, A Third Letter to a Member of ... Parliament (1797); 2.9 from J.R. McCulloch, A Discourse on Political Economy (1824); 2.10 from Piercy Ravenstone, Thoughts on the Funding System (1824); 2.11 from Thomas De Quincey, Suspiria de Profundis (1845); 3 Mind; 3.1 from Edward Young, Conjectures on Original Composition (1759); 3.2 from Jean Jacques Rousseau, Émile, ou, de l'Éducation (1762); 3.3 from William Duff, An Essay on Original Genius (1767); 3.4 from John Thelwall, The Peripatetic (1793). 3.5 from William Godwin, Caleb Williams (1794)3.6 from William Wordsworth, 'Prospectus' to The Recluse (1799); 3.7 from Philippe Pinel, Traité médico-philosophique (1806); 3.8 from Robert Gray, The Theory of Dreams (1808); 3.9 from Francis Jeffrey, Review of Philosophical Essays (1810); 3.10 from Samuel Taylor Coleridge, The Statesman's Manual (1816); 3.11 from Johann Caspar Spurzheim, Phrenology (1825); 3.12 from Thomas De Quincey, Suspiria de Profundis (1845); 4 Gothic; 4.1 from Tobias Smollett, The Adventures of Ferdinand Count Fathom (1754). 4.2 from Horace Walpole, The Castle of Otranto (1765)4.3 from Anna Aikin, 'On the Pleasure Derived from Objects of Terror' (1773); 4.4 from Anon., 'The Triumph of Beauty' (1782); 4.5 from Anon., 'Edwy: An Ancient Gothic Tale' (1788); 4.7 from Francis Walsh, 'Leonto and Almeria' (1789); 4.8 from Mary Hays, 'The Vision of Cleanthe' (1789); 4.9 from Ann Radcliffe, The Mysteries of Udolpho (1794); 5 Crowds; 5.1 from Anon., The Case of the Unfortunate Bosavern Penlez (1750); 5.2 from Tobias Smollett, The Expedition of Humphry Clinker (1771).
• Publisher Details: Houndmills, Basingstoke, Hampshire [England] New York : Palgrave Macmillan
• Publication Date: 2011
• Extent: 1 online resource (vii, 217 pages)
• Subjects: 820.9/357; British literature; English literature -- 19th century -- History and criticism; English literature -- 18th century -- History and criticism; Sublime, The -- History -- 19th century; Sublime, The -- History -- 18th century; Sublime, The, in literature; Romanticism -- Great Britain; LITERARY COLLECTIONS -- English, Irish, Scottish, Welsh; English literature; Romanticism; Sublime, The; Sublime, The, in literature; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Great Britain; Electronic books; Criticism, interpretation, etc; History
• Languages: English
• ISBNs: 9780230346741
• Related ISBNs: 023034674X; 0230299652; 0230299660
• Notes: Note: Includes bibliographical references (pages 210-213) and index.; Note: Print version record.
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.