100 film noirs. (2009)
- Record Type:
- Book
- Title:
- 100 film noirs. (2009)
- Main Title:
- 100 film noirs
- Other Titles:
- One hundred film noirs
Hundred film noirs - Further Information:
- Note: Jim Hillier & Alastair Phillips.
- Other Names:
- Hillier, Jim
Phillips, Alastair, 1963-
British Film Institute. - Contents:
- Cover; Contents; Acknowledgments; Introduction; 36, Olivier Marchal, 2004; The American Friend, Wim Wenders, 1977; The Asphalt Jungle, John Huston, 1950; La BÍte humaine, Jean Renoir, 1938; The Big Combo, Joseph H. Lewis, 1955; The Big Heat, Fritz Lang, 1953; The Big Sleep, Howard Hawks, 1946; Blast of Silence, Allen Baron, 1961; The Blue Dahlia, George Marshall, 1946; Body and Soul, Robert Rossen, 1947; Born to Kill, Robert Wise, 1947; Brighton Rock, John Boulting, 1947; Call Northside 777, Henry Hathaway, 1948; The Castle of Sand, Nomura Yoshitaro, 1974; The Chase, Arthur D. Ripley, 1946 Chinatown, Roman Polanski, 1974C.I.D., Raj Khosla, 1956; Collateral, Michael Mann, 2004; Cornered, Edward Dmytryk, 1945; Criss Cross, Robert Siodmak, 1949; The Crooked Way, Robert Florey, 1949; Crossfire, Edward Dmytryk, 1947; Cry of the City, Robert Siodmak, 1948; The Dark Corner, Henry Hathaway, 1946; Dark Passage, Delmer Daves, 1947; Dead Reckoning, John Cromwell, 1947; Death Is a Caress, Edith Carlmar, 1949; Death of a Cyclist, Juan Antonio Bardem, 1955; Detour, Edgar G. Ulmer, 1945; Devil in a Blue Dress, Carl Franklin, 1995; D.O.A., Rudolph Matè, 1950 Double Indemnity, Billy Wilder, 1944The Driver, Walter Hill, 1978; Fallen Angel, Otto Preminger, 1945; Fear in the Night, Maxwell Shane, 1947; Force of Evil, Abraham Polonsky, 1948; Foreign Land, Walter Salles, Daniela Thomas, 1996; Get Carter, Mike Hodges, 1971; Gilda, Charles Vidor, 1946; The Glass Key, Stuart Heisler, 1942; GunCover; Contents; Acknowledgments; Introduction; 36, Olivier Marchal, 2004; The American Friend, Wim Wenders, 1977; The Asphalt Jungle, John Huston, 1950; La BÍte humaine, Jean Renoir, 1938; The Big Combo, Joseph H. Lewis, 1955; The Big Heat, Fritz Lang, 1953; The Big Sleep, Howard Hawks, 1946; Blast of Silence, Allen Baron, 1961; The Blue Dahlia, George Marshall, 1946; Body and Soul, Robert Rossen, 1947; Born to Kill, Robert Wise, 1947; Brighton Rock, John Boulting, 1947; Call Northside 777, Henry Hathaway, 1948; The Castle of Sand, Nomura Yoshitaro, 1974; The Chase, Arthur D. Ripley, 1946 Chinatown, Roman Polanski, 1974C.I.D., Raj Khosla, 1956; Collateral, Michael Mann, 2004; Cornered, Edward Dmytryk, 1945; Criss Cross, Robert Siodmak, 1949; The Crooked Way, Robert Florey, 1949; Crossfire, Edward Dmytryk, 1947; Cry of the City, Robert Siodmak, 1948; The Dark Corner, Henry Hathaway, 1946; Dark Passage, Delmer Daves, 1947; Dead Reckoning, John Cromwell, 1947; Death Is a Caress, Edith Carlmar, 1949; Death of a Cyclist, Juan Antonio Bardem, 1955; Detour, Edgar G. Ulmer, 1945; Devil in a Blue Dress, Carl Franklin, 1995; D.O.A., Rudolph Matè, 1950 Double Indemnity, Billy Wilder, 1944The Driver, Walter Hill, 1978; Fallen Angel, Otto Preminger, 1945; Fear in the Night, Maxwell Shane, 1947; Force of Evil, Abraham Polonsky, 1948; Foreign Land, Walter Salles, Daniela Thomas, 1996; Get Carter, Mike Hodges, 1971; Gilda, Charles Vidor, 1946; The Glass Key, Stuart Heisler, 1942; Gun Crazy, Joseph H. Lewis, 1950; He Ran All the Way, John Berry, 1951; He Walked by Night, Alfred Werker, 1948; High and Low, Kurosawa Akira, 1963; A History of Violence, David Cronenberg, 2005; The Hitch-Hiker, Ida Lupino, 1953 I'll Sleep When I'm Dead, Mike Hodges, 2003I Married a Communist, Robert Stevenson, 1949; I Wake Up Screaming, H. Bruce Humberstone, 1942; I Walk Alone, Byron Haskin, 1948; In a Lonely Place, Nicholas Ray, 1950; Le Jour se lève, Marcel Carnè, 1939; Journey into Fear, Norman Foster/Orson Welles, 1942; The Killers, Robert Siodmak, 1946; The Killing, Stanley Kubrick, 1956; Kiss Me Deadly, Robert Aldrich, 1955; Kiss of Death, Henry Hathaway, 1947; L.A. Confidential, Curtis Hanson, 1997; The Lady from Shanghai, Orson Welles, 1947; Lady in the Lake, Robert Montgomery, 1946 Laura, Otto Preminger, 1944Lift to the Scaffold, Louis Malle, 1958; The Long Goodbye, Robert Altman, 1973; The Lost One, Peter Lorre, 1951; M, Fritz Lang, 1931; The Maltese Falcon, John Huston, 1941; Memories of Murder, Bong Joon-ho, 2003; Mildred Pierce, Michael Curtiz, 1945; Mulholland Dr., David Lynch, 2001; Murder, My Sweet, Edward Dmytryk, 1944; The Narrow Margin, Richard Fleischer, 1952; Night and the City, Jules Dassin, 1950; Night Moves, Arthur Penn, 1975; Nightmare Alley, Edmund Goulding, 1947; Odd Man Out, Carol Reed, 1947; Odds against Tomorrow, Robert Wise, 1959 … (more)
- Publisher Details:
- Basingstoke, Hampshire [England] New York : Palgrave Macmillan
- Publication Date:
- 2009
- Extent:
- 1 online resource (viii, 282 pages), illustrations
- Subjects:
- 791.436556
Film & Video/Guides & Reviews
Film noir -- History and criticism
Film noir
Kriminalfilm
Film noir
Motion pictures and television
PERFORMING ARTS / Reference
Film & Video/Reference
Film & Video/General
Catalogs
Criticism, interpretation, etc
Electronic books - Languages:
- English
- ISBNs:
- 9781844575534
1844575535 - Related ISBNs:
- 9781844572151
1844572153
9781844572168
1844572161 - Notes:
- Note: Includes bibliographical references (pages 260-269) and index.
Note: Print version record. - Access Rights:
- Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
- Access Usage:
- Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.
- View Content:
- Available online (eLD content is only available in our Reading Rooms) ↗
- Physical Locations:
- British Library HMNTS - ELD.DS.146662
- Ingest File:
- 01_034.xml