Amateur filmmaking : the home movie, the archive, the web /: the home movie, the archive, the web. (2014 copyright 2014)
- Record Type:
- Book
- Title:
- Amateur filmmaking : the home movie, the archive, the web /: the home movie, the archive, the web. (2014 copyright 2014)
- Main Title:
- Amateur filmmaking : the home movie, the archive, the web
- Further Information:
- Note: Edited by Laura Rascaroli, Gwenda Young, with Barry Monahan.
- Other Names:
- Rascaroli, Laura editor of compilation.
Monahan, Barry editor of compilation.
Young, Gwenda editor of compilation. - Contents:
- Machine generated contents note: -- Contributors Laura Rascaroli, Gwenda Young, Barry Monahan: Introduction. Amateur Filmmaking: New Developments and Directions SECTION ONE: REFRAMING THE HOME MOVIE 1. Roger Odin: The Home Movie and Space of Communication 2. Liz Czach: Home Movies and Amateur Film as National Cinema 3. Maija Howe: The Photographic Hangover: Reconsidering the Aesthetics of the Postwar 8mm Home Movie 4. Mark Neumann: Amateur Film, Automobility and the Cinematic Aesthetics of Leisure SECTION TWO: PRIVATE REELS, HISTORIOGRAPHICAL CONCERNS. Heather Norris Nicholson: Cinemas of Catastrophe and Continuity: Mapping Out Twentieth-Century Amateur Practices of Intentional History-Making in Northern England 6. Gwenda Young: Glimpses of a Hidden History: Exploring Irish Amateur Collections, 1930-1970 7. Annamaria Motrescu-Mayes: Uncensored British Imperial Politics in Late Colonial Home Movies: Memsahibs, Indian Bearers and Chinese Communist Insurgents 8. Karen Lury: The Amateur Film: From Artifact to Anecdote 9. Janna Jones: Starring Sally Peshlakai: Rewriting the Script for Tad Nichols's 1939 Navajo Rug Weaving SECTION THREE: NONFICTIONAL RECONTEXTUALISATIONS 10. Efren Cuevas: Change of Scale: Home Movies as Microhistory in Documentary Films 11. Barry Monahan: Creating Historiography: Alan Gilsenan's Formal Reframing of Amateur Archival Footage in Home Movie Nights 12. Stefano Odorico: "That Would Be Wrong": Errol Morris and His Use of Home Movies (As Metalanguages) inMachine generated contents note: -- Contributors Laura Rascaroli, Gwenda Young, Barry Monahan: Introduction. Amateur Filmmaking: New Developments and Directions SECTION ONE: REFRAMING THE HOME MOVIE 1. Roger Odin: The Home Movie and Space of Communication 2. Liz Czach: Home Movies and Amateur Film as National Cinema 3. Maija Howe: The Photographic Hangover: Reconsidering the Aesthetics of the Postwar 8mm Home Movie 4. Mark Neumann: Amateur Film, Automobility and the Cinematic Aesthetics of Leisure SECTION TWO: PRIVATE REELS, HISTORIOGRAPHICAL CONCERNS. Heather Norris Nicholson: Cinemas of Catastrophe and Continuity: Mapping Out Twentieth-Century Amateur Practices of Intentional History-Making in Northern England 6. Gwenda Young: Glimpses of a Hidden History: Exploring Irish Amateur Collections, 1930-1970 7. Annamaria Motrescu-Mayes: Uncensored British Imperial Politics in Late Colonial Home Movies: Memsahibs, Indian Bearers and Chinese Communist Insurgents 8. Karen Lury: The Amateur Film: From Artifact to Anecdote 9. Janna Jones: Starring Sally Peshlakai: Rewriting the Script for Tad Nichols's 1939 Navajo Rug Weaving SECTION THREE: NONFICTIONAL RECONTEXTUALISATIONS 10. Efren Cuevas: Change of Scale: Home Movies as Microhistory in Documentary Films 11. Barry Monahan: Creating Historiography: Alan Gilsenan's Formal Reframing of Amateur Archival Footage in Home Movie Nights 12. Stefano Odorico: "That Would Be Wrong": Errol Morris and His Use of Home Movies (As Metalanguages) in Feature Documentaries SECTION FOUR: AMATEUR AUTEUR13. Richard Kilborn: "I am a Time Archaeologist": Some Reflections on the Filmmaking Practice of Péter Forgács14. Ruth Balint: Representing the Past and the Meaning of Home in Péter Forgács's Private Hungary 15. Dominique Bluher: Necessity Is the Mother of Invention, or Morder's Amateur Toolkit 16. Dominique Bluher: Joseph Morder, the "Filmateur": An Interview with Joseph Morder 17. Laura Rascaroli: Working at Home: Tarnation, Amateur Authorship, and Self-inscription in the Digital Age SECTION FIVE: NEW DIRECTIONS: THE DIGITAL AGE 18. Susan Aasman: Saving Private Reels: Archival Practices and Digital Memories (Formerly Known as Home Movies) in the Digital Age 19. Patricia R. Zimmerman: The Home Movie Archive Live 20. Tianqi Yu: An Inward Gaze at Home: Amateur First Person DV Documentary Filmmaking in Twenty-First Century China 21. Lauren S. Berliner: Shooting for Profit: The Monetary Logic of the YouTube Home Movie 22. Abigail Keating: Home Movies in the Age of Web 2.0: The Case of "Star Wars Kid" 23. Max Schleser: Towards Mobile Filmmaking 2.0: Amateur Filmmaking as an Alternative Cultural Practice. … (more)
- Publisher Details:
- New York : Bloomsbury Academic
- Publication Date:
- 2014
- Extent:
- 1 online resource (392 pages)
- Subjects:
- 777
Performing Arts -- Film & Video -- History & Criticism
Amateur films -- History and criticism
Documentary films -- History and criticism
Digital cinematography
PERFORMING ARTS / Film & Video / History & Criticism
Film theory & criticism - Languages:
- English
- ISBNs:
- 9781441106810
1441106812 - Access Rights:
- Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
- Access Usage:
- Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.
- View Content:
- Available online (eLD content is only available in our Reading Rooms) ↗
- Physical Locations:
- British Library HMNTS - ELD.DS.72398
- Ingest File:
- 02_094.xml