Sam Shepard and the aesthetics of performance. ([2015])

• Record Type: Book
• Further Information: Note: Emma Creedon.
• Authors: Creedon, Emma, 1984-
• Contents: Introduction; 1. Surrealism and Sam Shepard's Early Plays: 1964–1967; 2. Myth, Ritual and a Search for Selfhood: Surrealism in Sam Shepard's Plays from 1969 to 1972; 3. Sam Shepard's Family Plays and the Representation of Gender; 4. A Comparative Study of Sam Shepard's<span style="font-style:italic;" > Angel City (1976) and Luis Buñuel's and Salvador Dalí's<span style="font-style:italic;" > Un chien andal <span style="font-style:italic;" > ou (1929); 5. <span style="font-style:italic;" >Tongues (1978), <span style="font-style:italic;" >Savage/Love (1979) and <span style="font-style:italic;" >The War in Heaven: Angel's Monologu e (1985): Joseph Chaikin and Sam Shepard in Collaboration; 6. <span style="font-style:italic;" >States of Shock (1991) and <span style="font-style:italic;" >Simpatico (1994): Performances of Waste; 7. Conclusion: Through the 1990s and Beyond
• Publisher Details: New York : Palgrave Macmillan
• Publication Date: 2015
• Extent: 1 online resource
• Subjects: 812.54; Theater/General; Theater/History & Criticism; Theatre: individual actors & directors; Theatre studies; Criticism and interpretation
• Languages: English
• ISBNs: 9781137527424; 1137527420
• Related ISBNs: 9781137530578
• Notes: Note: Includes bibliographical references and index.
• Access Rights: Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK).
• Access Usage: Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.