1. BrianHulse and NickNesbitt (eds), Sounding the Virtual: Gilles Deleuze and the Theory and Philosophy of Music (Farnham: Ashgate, 2010). xvii + 288 pp. £65. ISBN 978‐0‐7546‐6773‐5 (hb). (19th March 2014) Authors: Iddon, Martin Journal: Music analysis Issue: Volume 33:Number 3(2014:Oct.) Page Start: 417 Record Type: Journal Article View Content: Available online (eLD content is only available in our Reading Rooms) ↗
2. Comparing Compositional Process in Two Thirteenth‐Century Motets: Pre‐existent Materials in Deus omnium/REGNAT and Ne m'oubliez mie/DOMINO. (27th May 2014) Authors: Bradley, Catherine A. Journal: Music analysis Issue: Volume 33:Number 3(2014:Oct.) Page Start: 263 Record Type: Journal Article View Content: Available online (eLD content is only available in our Reading Rooms) ↗
3. Editor's Note. (July 2014) Journal: Music analysis Issue: Volume 33:Number 2(2014:Jul.) Page Start: 129 Record Type: Journal Article View Content: Available online (eLD content is only available in our Reading Rooms) ↗
4. FelixWörner, UllrichScheideler and PhilipRupprecht (eds), Tonality 1900–1950: Concept and Practice (Stuttgart: Franz Steiner Verlag, 2012). £34.80. 276 pp. ISBN 978‐3‐515‐10160‐8. (21st July 2014) Authors: Harper‐Scott, J. P. E. Journal: Music analysis Issue: Volume 33:Number 3(2014:Oct.) Page Start: 388 Record Type: Journal Article View Content: Available online (eLD content is only available in our Reading Rooms) ↗
5. Formal Functions and Retrospective Reinterpretation in the First Movement of Schubert's String Quintet. (19th March 2014) Authors: Martin, Nathan John; Vande Moortele, Steven Journal: Music analysis Issue: Volume 33:Number 2(2014:Jul.) Page Start: 130 Record Type: Journal Article View Content: Available online (eLD content is only available in our Reading Rooms) ↗
6. Off‐Tonic Culmination in Rachmaninoff's Rhapsody on a Theme of Paganini. (18th July 2014) Authors: Johnston, Blair Journal: Music analysis Issue: Volume 33:Number 3(2014:Oct.) Page Start: 291 Record Type: Journal Article View Content: Available online (eLD content is only available in our Reading Rooms) ↗
7. ScottBurnham, Sounding Values: Selected Essays (Farnham and Burlington: Ashgate, 2010). xviii + 328 pp. £105.00. ISBN 978‐0‐7546‐2886‐6 (hb).NicoleGrimes, SiobhánDonovan and WolfgangMarx (eds), Rethinking Hanslick: Music, Formalism and Expressionism (Rochester, NY: University of Rochester Press, 2013). xv + 360 pp. £60.00. ISBN 978‐1‐58046‐432‐1 (hb). (22nd June 2014) Authors: Hooper, Giles Journal: Music analysis Issue: Volume 33:Number 3(2014:Oct.) Page Start: 406 Record Type: Journal Article View Content: Available online (eLD content is only available in our Reading Rooms) ↗
8. Stasis and Continuity in Schubert's String Quintet: Responses to Nathan Martin, Steven Vande Moortele, Scott Burnham and John Koslovsky. (July 2014) Authors: Horton, Julian Journal: Music analysis Issue: Volume 33:Number 2(2014:Jul.) Page Start: 194 Record Type: Journal Article View Content: Available online (eLD content is only available in our Reading Rooms) ↗
9. Statistical Form amongst the Darmstadt School. (18th August 2014) Authors: Iverson, Jennifer Journal: Music analysis Issue: Volume 33:Number 3(2014:Oct.) Page Start: 341 Record Type: Journal Article View Content: Available online (eLD content is only available in our Reading Rooms) ↗
10. SusanWollenberg, Schubert's Fingerprints: Studies in the Instrumental Works (Farnham: Ashgate, 2011). xviii + 317 pp. £65.00. ISBN: 978‐1‐4094‐2122‐1 (hb). (23rd May 2014) Authors: Bretherton, David Journal: Music analysis Issue: Volume 33:Number 2(2014:Jul.) Page Start: 257 Record Type: Journal Article View Content: Available online (eLD content is only available in our Reading Rooms) ↗